December 2009

It’s Complicated, clichéd, and forgettable, but not awful

/ / Movie Reviews
  • Title: It’s Complicated
  • IMDB: link

Not everything released around Christmas is Oscar-worthy. Now, It’s Complicated certainly has some talent. Meryl Streep collects awards like I do comics, and Alec Baldwin (as I have often said before) just reading a phone book can be funnier than almost everyone else on the planet.

This new rom-com from writer/director Nancy Meyers (The Holiday – which I liked, What Women Want – which I didn’t) is exactly what you’d expect going in. Thankfully there’s enough humor that guys won’t have to struggle too much when they’re dragged by their better halves to see this over the holiday weekend.

Love the second time around is a complicated business, or so the film tells us. Divorced for ten years, emotions resurface for Jane (Meryl Streep) and Jake (Alec Baldwin) while attending their son’s (Hunter Parrish) college graduation.

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It’s Complicated, clichéd, and forgettable, but not awfulRead More »

It’s Complicated, clichéd, and forgettable, but not awful Read More »

Sherlock Holmes

/ / Movie Reviews
  • Title: Sherlock Holmes
  • IMDB: link


Everyone’s been making a fuss about the new Sherlock Holmes movie, from Lock, Stock and Two Smoking Barrels English Crime filmmaker Guy Ritchie, and how it’s suposed to be a different animal from the Sir Arthur Conan Doyle detective stories that are ingrained in Pop Culture. Many have worried it would be all flash and dazzle, a fear that wouldn’t be totally unjustified considering the quick-cut editing and matter-of-factness dialogue that Ritchie’s filmography has been host to. But now that it’s out, it turns out we have nothing to worry about – well, almost nothing.

The Sherlock Holmes we’ve come to know is the one with that ridiculous deerstalker hat, perpetually starring through a magnifying glass and walking alongside an amusingly obese Watson. While it’s always more entertaining to see a jolly fat man in the movies than Holmes‘ version – the slim but adept (and to be fair, pretty strong in his own right) Watson presented in this latest movie, played by Jude Law, is just one example that proves the changes made in Ritchie’s Holmes work pretty well.

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The Young Victoria

/ / Movie Reviews
  • Title: The Young Victoria
  • IMDB: link

The Young Victoria is a solid effort from screenwriter Julian Fellows (Gosford Park, Vanity Fair).

Emily Blunt proves capable of capturing a young woman on the verge of controlling an empire and struggling with advisers, her mother’s power-hungry lover (Mark Stong), and her own ideas for her country’s future.

And yet, something is missing.

Don’t get me wrong, I enjoyed The Young Victoria. The sets, cinematography, acting, costumes, all demonstrate talent and a keen eye for the period.

Maybe I’ve just seen too many of these paint-by-number historical dramas, or perhaps this film does too little to distinguish itself from all the others.

The film is an attempt to show Victoria (Blunt) blossoming into womanhood, her rise to power, her early years as Queen, and her romance with Prince Albert (Rupert Friend). And it does exactly that, and nothing more.

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Up, WAY UP, In the Air

/ / Movie Reviews
  • Title: Up in the Air
  • IMDB: link

Every couple of years it seems director Jason Reitman is putting out a movie that ends up on my best of the year list. Oh wait, that’s exactly what he’s been doing.

Starting in 2005 with Thank You for Smoking followed by 2007’s Juno, Reitman has quickly made a name for himself creating smart, funny, off-beat, award-winning films with heart, wit, and a little bit of sass.

Another two years have gone by, and Reitman returns once again with tale of a salesman. In Thank You for Smoking Aaron Eckhart made smoking not only palatable, but patriotic.

Here Reitman casts George Clooney as a termination specialist, a man who is selling unemployment – with a smile. And as he did with Eckhart, Reitman allows the man’s natural charm and the wit of the script to soften the hard edges of what it is he’s selling. If you’ve never believed a movie about firing people could be this entertaining, you’re about to be proven very wrong.

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The Princess and the Frog

/ / Movie Reviews
  • Title: The Princess and the Frog
  • IMDB: link

It’s been awhile. For more than a decade Disney has been, well, very un-Disney. In many ways, with the latest animated feature, the company returns to the roots. We’ve got a classic tale, a princess (of sorts), talking animals, big musical numbers, true love triumphant, a wicked villain, and a curse.

The Princess and the Frog, Disney’s 49th animated feature film, might not be in the same class as Sleeping Beauty or Snow White, but for the first time in a long time the studio has released a movie that feels like a Disney film (and not an animated feature that any studio could have produced).

That’s not to say the movie doesn’t have its warts. The Princess and the Frog is at least 15 minutes too long, the story meanders a bit in places, and the animation isn’t as crisp as I’d like. That said, over the course of the film you can feel (at least in places) the old-time magic being re-awoken. In many ways through the process of making this film it feels as if the studio is slowly rediscovering itself.

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