Darkwing Duck is long retired, the city of St. Canard is now protected by overzealous robots known as Crimebots. Since shunning the public spotlight our hero has taken a job as a “Data Accounts Networking Officer” spending most of his time dealing principal calls concerning Gosalyn’s latest antics at school and daydreaming about his glory days when he fought a giant monster rabbits or when had his arm was transformed into a snake. Ah, those were the days.
Good first issue from the folks at BOOM! Studios setting up the world of Darkwing Duck and reminding us all why it needs a hero who quacks in the night. Ian Brill has captured the humor of the old cartoon and the art by James Silvani is near perfect. Definitely worth a look. In fact, response was so good BOOM! decided after one issue to forgo the initial concept of a four-issue mini-series and immediately green-lit Darkwing Duck as an ongoing monthly series. Hopefully the terror that flaps in the night will continue to do so for a very long time.
Family is the common thread in two separate stories presented in this post-Second Coming issue. In the first Hope travels to Alaska in hopes to learn about her birth parents. Her journey doesn’t go quite as planned, but the experience does help fill-in some of her questions.
In the second story Magneto is shocked to learn of the existence of two mutants (Speed and Wiccan) who might, or might not, be his grandchildren. Warned to stay away by both Cyclops and Wolverine, Magneto agrees to give the children distance…but this is the Master of Magnetism we’re talking about. Anyone want to take odds how long he keeps that promise?
Other than the team saving a young woman dealing with her new-found mutation there’s little action here, but that doesn’t mean it’s not worth a read. On their own neither story is strong enough, but as two similar personal tales told together we’re given an issue that stands out for its emotion rather than bloodshed. Definitely worth a look.
- Title: Batman: Under the Red Hood
- IMDB: link
Jason Todd. The mere mention of his name can lead to hour-long discussions between longtime Bat-fans. The street thug, who took over the mantle of Robin after Dick Grayson moved on to a new persona, died at the hands of the Joker (and, to be fair, at the hands of thousands of Batman fans). It took 17 years but, as comic characters have a habit of doing, Jason returned to the DCU in the guise of a sociopathic anti-hero: The Red Hood.
The latest direct-to-video feature from Warner Premiere and Warner Bros. Animation is a faithful recreation of the Under the Hood storyline by Judd Winick (who also penned the script to the film). The film begins with the brutal death of Jason Todd (Jensen Ackles) from Batman: A Death in the Family before jumping right into the Red Hood’s first appearance in Gotham cowing local drug lords and forcing them under his thumb in his attempt to take the role as Gotham’s #1 crimelord from Black Mask (Wade Williams).
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Originally intended as a vehicle for Tom Cruise Salt was shelved and then given an impromptu sex change operation to ready the way for Angelina Jolie to headline the shoot ’em up. When your leading man becomes a leading lady the original script by Kurt Wimmer (Ultraviolet , Street Kings) had to be rewritten by Brian Helgeland (Conspiracy Theory, Assassins, Man on Fire), and director Philip Noyce (The Bone Collector, Clear and Present Danger) was tasked to make it all work. That’s an awful lot of time and effort to put into a project well before shooting was scheduled to begin. Too bad it wasn’t worth it.
Angelina Jolie stars as CIA Agent Evelyn Salt, a fugitive on the run after being accused, by the questionalbe word of a dying former Russian spy (Daniel Olbrychski ), of being part of a top secret Russian sleeper cell doomsday scenario more than three decades in the making.
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As the cover tells us: “The Search for Bruce Wayne Begins!” (Actually, the search began two-and-a-half months ago with The Search for Bruce Wayne #1, but that’s neither here nor there.) Booster Gold, Superman, Green Lantern, and Rip Hunter will attempt to find Batman before he can cause irreperable harm to the timestream.
For the first time we’re given a reason (an analogy to a healthy body and a virus) why Bruce Wayne’s travel through time isn’t a good thing. It’s not the best rationale for the problem of why time seems to be unraveling, but at least we’re finally given one. I guess it will have to do.
I actually enjoyed this issue more than I have so far with The Return of Bruce Wayne. The perspective shifting to the group searching for Wayne instead of somewhat bewildered Batman (three issues in, it’s still unclear exactly how much of his real life the Dark Knight remembers) makes the quest more interesting.
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