Following the pattern of his last two films (Valentine’s Day and New Year’s Eve) director Garry Marshall‘s Mother’s Day is a cookie-cutter ensemble dramaedy set around a particular holiday. Filled with paper-thin characters who all can be described by a single characteristic who are marginally connected through themes of mothers and their daughters, Mother’s Day is a lazy film filled with sitcom humor and blase drama that asks the bare minimum of its cast. If it were a meal, Mother’s Day would be a lukewarm McDonald’s extra-value meal that no one bothered to put under the heat lamp. If it were a color it would be beige.
As the members of the team struggle to deal with the death of Laurel (Katie Cassidy) an impulsive young woman (Madison McLaughlin) assumes the identity of Black Canary and begins targeting those she blames for the death of her parents. Whether or not she stays dead, or is eventually resurrected like so many of the characters in the series so far, “Canary Cry” certainly attempts to sell the idea that Laurel isn’t coming back (even going so far as to publicly out her as the real Black Canary at her funeral). Cassidy does appear in the episode as we get flashbacks of Oliver (Stephen Amell) and Laurel following Tommy’s death rather than scenes from the island this week.