“A pig in a Spider-Man costume wanted a reasonable explanation. And it was the best day ever!”
Wrapping up the Spider-Verse saga (which was really just a thin excuse to showcase various alternate versions of the character), Spider-Man (Drake Bell) returns home to confront the Goblin (Steven Weber) who has successful extracted DNA from all the other Spideys. After the villain transforms himself into the new Spider-Goblin, Peter needs all the help he can get and decides to enlist the various Spider-Men from other worlds to fight the Spider-Goblin.
After stopping the Shocker‘s (Troy Baker) latest robbery on Christmas Eve, Spider-Man (Drake Bell) has a crisis of faith about whether or not being Spidey is actually helping anyone. Giving a tour through Christmases past, present, and future by the angel and devil on his shoulder Spidey takes a look back over his career and considers, for a brief time, hanging up the tights.
Although needing to spend the time setting up two different villain origin stories, one of the aspects of the sequel I most enjoyed was the fact that it never lost focus that this is primarily Peter Parker’s movie. Jamie Foxx is adequate as Electro, a super-villain with the power to absorb and control electricity, even if he’s given a rushed paint-by-the-numbers origin that relies on the introverted electrical engineer going from confused super-powered freak just trying to understand what has happened to him and deal with his new taste for all things electric to full-on super-villain a little too quickly for my tastes. The same could be said for Harry Osborne (Dane DeHaan) whose relationship with Peter doesn’t have enough time to develop and deteriorate to the point that the script needs to earn its eventual payoff.