February 2008

This Week in Film

The latest from Michel Gondry (The Science of Sleep, read that review) finds Jack Black and Mos Def as video store workers who attempt to remake all the tapes Black’s character has inadventently erased (which include Ghostbusters, Robocop, and Driving Miss Daisy) with his magnetized brain.  They become instant celebrities by customers who prefer their versions to the originals.  Danny Glover, Mia Farrow, Paul Dinello, and Melonie Diaz also star.  The misadventure begins everywhere on Friday.  Larger trailer available in the Full Diagnosis.

Be Kind Rewind
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This Week in Film

Pulled from its cushy fall 07 slot, Charlie Bartlett, the tale of a misfit teen (Anton Yelchin) beccoming the unofficial therapist for his new school, finally makes it into theaters.  Robert Downy Jr, Hope Davis, Kat Dennings, Tyler Hilton, and Megan Park also star.  Check out the official site.  The late arriving film finally shows up for class on Friday.  Larger trailer available in the Full Diagnosis.

Charlie Bartlett
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This Week in Film

Justin Welborn, Christopher Tomas, Anessa Ramsey, Scott Poythress, Chad McKnight, and AJ Bowen star in three different perspectives of this tale of a mysterious signal makes people kill.  So it’s like an amped up Pulse without Kristen Bell?  Check out the official site.  The signal starts being heard in limited release in select cities on Friday.  Larger trailer available in the Full Diagnosis.

The Signal
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This Week in Film

A small town sheriff (Larry the Cable Guy) finds himself forced into protecting a star witness (Ivana Milicevic).  J. David Moeller, Will Clinger, and Jenny McCarthy also star.  You know I’d make fun of this but it’s sort of like playing keep away with a child with no arms or legs.  Check out the official site.  The “film” makes its way into theaters on Friday.  Larger trailer available in the Full Diagnosis.

Witless Protection
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Diary of the Dead

  • Title: Diary of the Dead
  • IMDB: link

“Jason always wanted to be a documentary filmmaker.  That’s what he was shooting on that first night.  The night when everything changed.”
 

diary-of-the-dead-poster

George A. Romero returns to the beginning of his Dead Series with this tale of young filmmakers making a horror movie in the woods as the outbreak occurs and the world finds itself infested with zombies.  Much like his early works the film is equal parts horror flick and social commentary.  Here the roles and actions of news channels, broadcasting, reality television, the government, and other institutions and individuals all become fuel to the filmmaker to set ablaze in satire.

Although the film doesn’t really add much to the series it does, in the tone of the previous films, present a decidedly somber and fatalistic view of the world absent in most Hollywood films.  Much like The Blair Witch Project and Cloverfield the film uses the handheld shaky cam for most of the action; although unlike these other films it doesn’t rely on the shaky cam solely and spends time on both character and plot as well.

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