Doubt
- Title: Doubt
- IMDB: link
“But I have my certainty.”
At the heart of the film written and directed by John Patrick Shanley, who adapted his play for the screen, is the issue of change vs. the status quo. Set in the Bronx during the 1960’s the film deals with the conflict between the more liberal priest, Father Flynn (Philip Seymour Hoffman), and the older Sister Aloysius Beauvier (Meryl Streep).
Set between the pair is the good-natured Sister James (Amy Adams) who is the catalyst for the story when her observance of events causes Sister Aloysius to believe, with certainty, that Father Flynn has taken improper advances with a young black student (Joseph Foster).
Is the accusation real, or is it simply an excuse for the traditional nun to get rid of the crazy priest and his new-fangled ideas? Is there room, for doubt?
…
Let’s get this out of the way first and foremost: I’m rather fond of Keanu Reeves. Intellectually I realize that he is at best a limited actor, but I just like the guy. That’s probably got more than a little something to do with the fact that on one hot August night in 1999 I spent the better part of my time signing autographs for the guy at a festival show Dogstar headlined with a band I was working with. While I’m the first guy to admit that Reeves is by far a more attractive man than yours truly, the confusion was mostly due to less than attentive fans and one very impish guitar tech who insisted to every fan that yes, I was Keanu Reeves. It probably didn’t help that I was wearing all black, had close-cropped short black hair, and was easily visible backstage. So for anyone at the Kansas City River Market Dogstar show in August of 1999 still possessing an autograph signed ‘Avoid the clap! – Keanu‘ or ‘Be Cool, Stay in School! – Keanu‘ I’m terribly sorry. Also, you’re an idiot, because that day he was wearing ratty jeans, and orange t-shirt and had a 3-week beard.