September 2011

Daredevil #4

daredevil-4-coverThe latest issue is a little unfocused (but in a good way) as both Daredevil and Matt Murdock deal with several issues rather than focusing on a single story. Once again writer Mark Waid gives us a strong issue featuring the Man Without Fear battling evil in and out of a courtroom.

The issue gives us small pieces of several of Nelson & Murdock’s new clients as well as giving us glimpses of Daredevil out in action doing everything from running down a gangster, to fighting of lions, to saving children from a burning building. We’re also introduced to Murdock’s latest client, a blind teenager who was fired from a job without warning and now finds his life in danger.

In terms of larger context you could probably skip this issue and not miss anything all that important to the ongoing storyline but that doesn’t mean you should. There’s plenty here worth picking up including a very cool cover by Paolo Rivera featuring Daredevil swinging through a city scape made of guns. Worth a look.

[Marvel, $2.99]

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Time Out for Vengeance!

  • Title: Batman: The Brave and the Bold – Time Out for Vengeance!
  • tv.com: link

batman-brave-bold-time-out-for-vengeance-catman

When Batmen of various eras start disappearing from history its up to Batman‘s (Diedrich Bader) friends to travel in time and save them before the world forgets the Dark Knight Detective. This episode is so jam-packed full of action it’s hard to know where to begin. We get Guy Gardner (James Arnold Taylor) and Ice (Jennifer Hale), Blue Beetle (Will Friedle) and Booster Gold (Tom Everett Scott), Caveman Batman (with a giant Cromagnon coin in his Bat-Tree), Fire (Grey DeLisle), Timemaster Rip Hunter (Bloom) and his time sphere, Robot Batman, giant statues coming to life, Pirate Batman, a T-Rex, the JLI, pompous (yet always highly entertaining) Aquaman (John Di Maggio), sea monsters, Roman Centurion Batman, and the all too brief return of Catman (complete with the giant robotic cat he used in his very first comic book appearance)!

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Red Hood and the Outlaws #1

red-hood-and-the-outlaws-1-coverOf all the the issues set for the DC Reboot this was one that caught my interest. Here are three characters who, each in their own way, had been abused by the old DCU. I was curious to find out what the New 52 versions might look at. And you know what? I’ll admit, I kinda like it.

The first half of the issue centers around the Red Hood and Starfire breaking Roy Harper out a military prison in Qurac and getting reacquainted. First off let me say I like this version of Jason Todd far more than Grant Morrison‘s (and thankfully his additions to the character have been ignored here). I also felt the inner-monologue of each of the three characters worked well.

Some might object to this version of Starfire, but she’s always been hyper-sexual and at least writer Scott Lobdell’s explanation for her behavior (that as an alien she sees humans as roughly all the same and has a far less puritan view of sex than anyone who watches FOX News) makes more sense than the childish version we’ve seen before. And, thankfully, Roy Harper is in far better shape then we last saw him before the Reboot.

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Charlie’s Angels – Angel With a Broken Wing

  • Title: Charlie’s Angels – Angel With a Broken Wing
  • tv.com: link

charlies-angels-tv-rebootWow, did that suck. I wasn’t expecting much from the reboot of the late 70’s show focused on three women working as private eyes for a mysterious unseen benefactor, but in the very least I expected it to be dumb fun.The original wasn’t Shakespeare but at least if felt competent. Sadly, neither of those words can be used to describe this version.

“Angel With a Broken Wing” may be one of the worst pilot episodes I’ve ever watched. The writing and dialogue is one step away from intentionally bad (and yet still painfully unfunny). And don’t even get me started on the acting. These young women might be able to act (hey, anything is possible) if given better material but I have a feeling we’ll never know (at least as long as this show stays on the air).

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Moneyball

  • Title: Moneyball
  • IMDB: link

moneyball-posterIn the early 2000’s the Oakland A’s had just lost three of their big name stars and the small market team was in trouble in terms of continuing to compete in a league where they could be outspent by more than $100 by the likes of the New York Yankees. A’s General Manager Billy Beane (Brad Pitt) knew something had to change.

Hiring an assistant (Jonah Hill) who believed the team could compete by relying on sabermetrics (created by Bill James) rather than traditional models of building a team, Beane became an innovator by showcasing how a small market team could compete against the big boys.

The film begins with the playoff loss to the Yankees in 2001 and follows the rocky course of Beane instituting a completely new way of thinking to the old school baseball front office scouts and staff. The film highlights the early struggles and eventual success of the team over the 2002 season as well as focus on Beane’s relationship with his daughter (Kerris Dorsey).

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