January 2012

Captain America #7

captain-america-7-coverMaybe I’m getting Captain America fatigue (three issues in three weeks is quite a bit of old Cap). Or maybe I’m just not quite on board with this new story arc by Ed Brubaker.

The comic opens with three pages involving a prison riot caused by Codename: Bravo. The attempt here is to create ominous foreshadowing for something down the line, but it comes off more like a waste of 10% of a comic I spent $4 for.

The main story, which feels something taken right out of a Captain America comic of the 70’s complete with mindbending bombs, riots, and the Falcon, features Steve Rogers still trying to figure out what the Serpent Squad did to him in the last issue to turn him back into puny Steve Rogers (and then punching him a couple times before… letting him go?).

The issue does have some bright spots such as focusing much of the story on a conversation between Cap and Sharon Carter. And the action, drawn by Alan Davis, looks like we want a Captain America comic to look like. Not great, but still worth a look.

[Marvel, $3.99]

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The Shiny Trinket Maneuver

  • Title: The Big Bang Theory – The Shiny Trinket Maneuver
  • tv.com: link

big-bang-theory-shiny-trinket-manuever

After inadvertently hurting Amy’s (Mayim Bialik) feelings Sheldon (Jim Parsons) is forced to turn to Leonard (Johnny Galecki) and later Penny (Kaley Cuoco) for suggestions of how to make things right – without putting out too much effort. The solution for Sheldon, someone who can’t apologize or show real remorse, is obvious – buy her a present.

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The Iron Lady

  • Title: The Iron Lady
  • IMDb: link

the-iron-lady-poster

The Iron Lady is as perplexing as it is forgettable. Coming off like a sanitized made-for-TV film that was given a bigger budget once it landed arguably the greatest living actress, the film is centered around some of the least important moments of one of the most important British politicians of the 20th Century. Like I said, perplexing.

In her waning days, after losing her husband, Margaret Thatcher (Meryl Streep) looks back on her career as she rose to power as Britain’s first female Prime Minister during one of the country’s most tumultuous periods. Despite detractors, and the fact that many of her monetary policies helped lead to high unemployment and social unrest (some of which is still felt today), the film certainly takes a pro-Thatcher stance.

The strangest choice the film makes is to center so much of the story around Thatcher’s days after her years in office. Yes we get flashbacks of her days in office, but except for a segment of the the film that deals with the Falklands War, they are short, fragmented, and don’t fit together all that well.

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