New 52

Red Hood and the Outlaws #18

Red Hood and the Outlaws #18After last month’s cliffhanger, Jason Todd struggles through a dream state after putting on the Red Hood mash which the the Joker lined with acid as his final joke on the Bat-Family.

It’s an odd issue with Alfred and Bruce Wayne at Jason’s bedside, whose conscious of them but trapped in a nightmare concerning his past mistakes, the Joker, and Ducra the former head of the All Caste who comes with a message concerning Jason’s failure to move on from the horrors of his past and a warning about what may happen to those he loves if he continues on his current path.

We’re told there will be no lasting physical damage from the Joker’s trap and it seems Todd’s mental state isn’t impaired either, so the entire episode feels a little pointless unless the goal is to use this experience to transform the Red Hood from anti-hero to hero and bring Jason back into the Bat-Family. One further note, Red Hood and the Outlaws #18 also brings Jason and Bruce a little closer (possibly foreshadowing his return as Robin?). For fans.

[DC, $2.99]

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Justice League #18

Justice League #18With the “Throne of Atlantis” storyline complete the Justice League puts together a recruiting drive aboard the Watchtower to expand their ranks. Although the group invites a dozen or so heroes including Old DCU JLA standouts Black Canary, Vixen, Firestorm, and Zatanna, along with Nightwing, Black Lightning, Blue Devil, Element Woman and others, only three make the final cut (and not really the ones I’d have chosen).

The gathering is interrupted by Platinum, the new android by Dr. Magnus (who in the Old DCU created the Metal Men) who runs amok and begins tossing heroes around the space station. Despite the main Leaguers being present, it’s two relative newcomers in Firestorm and a female Atom (who certainly isn’t Ray Palmer or Ryan Choi) who save the day.

The back-up story continues Billy Batson acting like a spineless prick and his continued unwillingness to be a hero despite the power granted to him and Black Adam‘s rampage and gathering of the Seven Deadly Enemies of Man to his side to unleash his evil on the wizard and his new champion. Hit-and-Miss.

[DC, $3.99]

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Justice League of America #2

Justice League of America #2There’s certainly some improvement here over the atrociously bad first issue. As Green Arrow fights for his life in the medical bay the rest of the team comes together to fight the mysterious threat of the Secret Society of Super-Villains even though, as Steve Trevor points out to Amanda Waller, the team has never worked together, has almost no intel on the threat, and will probably get their asses kicked.

Aside from Waller’s irrational expectations, the second issue of the new Justice League of America has a few other problems as well. The opening shot of the Scarecrow‘s recruitment runs far too long while at the same time being unnecessarily obscure. It’s also unclear why, despite his injuries, why Green Arrow isn’t offered a spot on this team (after risking his life for them).

Issue #2 does have some fun moments, my favorite being the sequence involving Vibe and Hawkman meeting for the first time. Although it’s pretty forced, I also liked the idea of setting up a relationship between Trevor and Catwoman. Hit-and-Miss.

[DC, $2.99]

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Batman #18

Batman #18I really hope writer Scott Snyder is pulling a fast one on fans because I honestly dread what the Bat-titles may be like if the foreshadowing in Batman #18 holds true. Rather than give us Batman‘s perspective following the loss of his son Damian (even in Batman’s own title we don’t get Batman’s take on the situation?), Snyder gives us an entire issue from the perspective of street rat Harper Row, who, in the spirit of Carrie Kelly, takes to the streets in a costume of her own making to help Batman (whether he wants her help or not). At least it’s not a Robin costume… yet.

As in every single issue where Harper appears, there’s far too much of the character and her brother (whose defining characteristic still seems to be that he’s gay), and not nearly enough Batman. Although barely under control, Batman is running himself ragged and has begun to make small mistakes which cause the young woman to jump into the fray and confront the Dark Knight. The scene of Batman breaking the girl’s nose to teach her a lesson doesn’t play out all the well for either of them (or fans).

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Threshold #3

Threshold #3While I wasn’t looking DC Comics launched their only thinly-veiled rip-off of Marvel Comics’ Guardians of the Galaxy as part of the New 52. Now I love the Guardians (both original and newer versions), so the concept of a rag-tag DC version of space explorers told by the extremely talented Keith Giffen doesn’t sound like that bad of an idea to me (even if the comic really isn’t all that interesting or well-told). At worst it would just be another New 52 mistake I could blissfully ignore. And then this happened.

Threshold #3 introduces the beloved character of Captain Carrot, created by Roy Thomas and Scott Shaw in 1982,  to a new generation of readers. Normally something like that would get standing applause from me. However, given the character gets his own 90’s Image Comics Exteme makeover (which seems to now be a prerequisite for any and all classic DC characters) I’m far less pleased.

I love Captain Carrot. I’m also extremely fond of Rocket Raccoon. You know what I’m so pleased with? Captain Carrot redesigned as a more extreme version of Rocket Raccoon.

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