Alan Rapp

Money Plane

  • Title: Money Plane
  • IMDb: link

“You want to bet on a dude fucking an alligator? Money Plane!”

Money Plane movie reviewMoney Plane is your typical B-movie action flick about thieves forced to take an impossible job. After the movie’s opening heist goes bad, their backer (Kelsey Grammer) pushes the group into robbing a casino plane full of criminals wagering on anything dumb and/or repulsive. Led by Adam “Edge” Copeland, the team consists of Katrina Norman, Patrick Lamont Jr., and Andrew Lawrence with Thomas Jane as back-up. The modest budget and odd plot twists (some of which make absolutely no sense) are, I guess, to be expected from a movie called Money Plane.

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Tango & Cash

  • Title: Tango & Cash
  • IMDb: link

Tango & Cash home video reviewThrowback Thursday takes us back to the last film of the 1980s. Tango & Cash is the ridiculous, balls-to-wall, over-the-top pairing of Sylvester Stallone and Kurt Russell as rival super cops forced to work together after they are framed for murder. Stallone stars as the upscale Ray Tango while Russell’s Gabe Cash is more working man. Without realizing it, both men have been cutting into the business of Los Angeles’ hidden kingpin Yves Perret (Jack Palance in full scene-chewing mode) who frames the super-cops for murder, gets them relocated to a different prison than they were sentenced, and attempts to have them killed behind bars.

The film was plagued by production issues including multiple script revisions and the firing of director Andrey Konchalovskiy. The last film to be released in 1989, Tango & Cash is a glorious homage to the action movies of the decade. Dumb as rocks, with a script full of plot holes, it nevertheless entertains. Teri Hatcher, who makes use of her dance background as Tango’s younger sister, Brion James, James Hong, Marc Alaimo, and Michael J. Pollard, as Cash’s goofy weaponsmith, round out the cast.

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Black Widow #7

Black Widow #7 comic reviewBlack Widow #7 works as a transitionary issue moving the comic further from the opening arc and setting up a new group of fierce females (despite Black Widow consistently telling Yelena Belova that she’s not interested in starting their own version of the Red Room). While offering Lucy, AKA Marigold, sanctuary, Widow hits up Anya Corazon to infiltrate Apogee.

We don’t learn much more about Apogee here, other than its members are referred to as the Olio whose ceremony the Widows crash only to see their target disappear (literally). We also see first-hand that the power boost they offer to their flock can have dramatic, and permanent, side-effects.

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