Scarlett Johansson

The Great Films – Lost in Translation

  • Title: Lost in Translation
  • IMDb: link

Lost in Translation

Anyone who has spent time alone in a hotel room isolated and far from home, dealt with the uncertainties of your early 20s or a emotional barrage of a mid-life crisis, or spent time with a stranger who has somehow changed your life, can appreciate at least some of the various themes writer/director Sofia Coppola explores by putting Bill Murray in Japan. Bill Murray in Japan, that’s the premise that Coppola started with. And to it she blended in the talents of a young up-and-coming actress named Scarlett Johansson. The rest, as they say, is history.

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Asteroid City

  • Title: Asteroid City
  • IMDb: link

Asteroid City

Writer/director Wes Anderson leans into his quirks and fancies in this 1950s live television production of a play set in the fictional town of Asteroid City. We learn very little about the actors themselves. While most of the events take place in the play itself, characters occasionally break the fourth wall revealing themselves to be the production’s actors and occasionally narration will stop to explain information about the play’s writer Conrad Earp (Edward Norton).

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Marriage Story

  • Title: Marriage Story
  • IMDb: link

Marriage Story movie reviewOffering as much commentary on divorce at large as its effect on his two main characters in Marriage Story, writer/director Noah Baumbach explores the dissolving marriage of theater director Charlie Barber (Adam Driver) and actress Nicole Barber (Scarlett Johansson) who struggle through change in humorous and heartbreaking ways. While their separation is mutually understood from the opening scene, a particularly good use of narration that allows us to get a sense of both characters, Charlie seems less able to deal with the changing realities of the family dynamic while Nicole relocates from New York to Los Angeles with their son Henry (Azhy Robertson) for work on a television pilot and begins to take the lead in the divorce by hiring a ball-busting attorney (Laura Dern).

There is still affection between the pair, but there is also hurt, resentment, and anger which only increases as the divorce becomes more litigious. Providing some of the film’s more humorous scenes, Alan Alda and Ray Liotta both appear at times as Charlie’s lawyers taking on Dern’s character in court (proving the old adage that the only ones who win in divorce proceedings are the lawyers).

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