Movie Reviews

Love Lies Bleeding

  • Title: Love Lies Bleeding
  • IMDb: link

Love Lies Bleeding

Love Lies Bleeding reminded me strongly of body horror with the genre turned on its head by highlighting the glistening muscled bodies of female body builders, often even providing close-ups of bulging muscles, fetishizing them not for the grotesque but instead with more seductive ends in mind. While the purposes are different, the end result remains much the same with the focus on the body at times overpowering that of the character.

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Kung Fu Panda 4

  • Title: Kung Fu Panda 4
  • IMDb: link

Kung Fu Panda 4

Noticeably missing all five members of the Furious Five, DreamWorks rolls out a new Kung Fu Panda sequel this time centered around Po (Jack Black) being asked by Shifu (Dustin Hoffman) to choose the next Dragon Warrior. Each of the films in the series has had an emotional core tied to Po and his journey. The script clumsily deals with Po’s latest milestone rushing it into happening instantly and also somewhat haphazardly ignores his development in previous films when logic, common sense, or the franchise’s canon might get in the way of a gag (such as Po not being able to find the inner peace he mastered two films ago).

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Dune: Part Deux

  • Title: Dune: Part Two
  • IMDb: link

Dune: Part Deux

Director Denis Villeneuve‘s first Dune film set up the world of Arrakis, galactic politics between houses, and a religion spanning across space and time. With his house destroyed, Paul (Timothée Chalamet) has journeyed into the desert with his mother (Rebecca Ferguson). The second film deals primarily with Paul’s life among the Fremen, fighting his destiny to become a religious icon to them, and his attempts to rally them against House Harkonnen,

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Madame Web

  • Title: Madame Web
  • IMDb: link

Madame Web

It’s rare to find a movie that is seemingly as self-aware of being awful as Sony’s Madame Web. I can’t confirm that cast and crew deliberately set out to make a bad B-movie but that’s really the only way that this film’s existence makes any sense. Its mind-blowing faults in every aspect of filmmaking presents an unapologetic dumpster fire to keep you guessing what bad decision, in front or behind the camera, will be made next.

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