The Musical and Fair Madison Beer
American singer/songwriter Madison Beer can be found both in the February issue on NME and the March issue of Vanity Fair Italy.
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The Musical and Fair Madison Beer Read More »
American singer/songwriter Madison Beer can be found both in the February issue on NME and the March issue of Vanity Fair Italy.
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The Musical and Fair Madison Beer Read More »

For the second time in a calendar year, DC relaunches Suicide Squad with a new team. Notable here is the inclusion of the Peacemaker, the character who John Cena will play in the upcoming 2021 film The Suicide Squad (although the rest of that team bares little resemblance to what we see here). Amanda Waller is back in command, in full-figured form, as is Rick Flag (although he’s far from pleased with the new direction the Suicide Squad is headed, starting with the recruitment of a new member inside Arkham Asylum).
The rest of the team is made up of Bolt, Film Freak, and Shrike – all of whom die in Arkham while attempting to kidnap and recruit Talon to the Squad.
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It’s been a couple of years since I sat down and watched and episode of The Blacklist. Honestly, I was a bit surprised it was still on. Built on deceptions, secrets, swerves, the battle of wills, and half-truths, the show long ago outlived the original plotline and has attempt to continue to morph in able to keep things going while struggling to still keep its storyline at least marginally plausible. “The Cyranoid” is good example at how ridiculous things have gotten. Mara Davi guest-stars as a stand-in for Elizabeth Keen (Megan Boone who doesn’t appear on camera), an agent with a camera and microphone following Keen’s instructions which include proposing a partnership with Neville Townsend (Reg Rogers) and committing murder in the black site of the FBI. While primarily focused on the search for Keen, the episode also features an ongoing storyline about Raymond Reddington‘s (James Spader) fear the FBI is closing in on an asset who still has an important role to play in his larger byzantine schemes.
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I’ll admit, I fell off a bit with my reading of rebooted Buffy and Angel comics with the whole Hellmouth crossover. I’ve picked up a bit here and there, and that’s what made me notice this new 40-page one-shot centered around Faith. The issue offers a glimpse of Faith prior to her introduction in Sunnydale but after she became noticed by the Watchers Council as a potential Slayer (Or became a Slayer? It’s confusing).
The mix of a rebooted universe where you are not sure how much history has carried over, the hit-and-miss schedule I’ve taken recently with the various comics, and not knowing exactly where the comic fits in to the overall timeline all added to my overall confusion here. The story is relatively simple, the Watchers are fucking with Faith, testing her in a movie theater against vampires, wiping her mind, and starting over.
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Since it’s premiere, Prodigal Son has balanced how far over the edge to take it’s characters. In “Face Values” the show goes a bit too far over the line as Malcom (Tom Payne) is distracted from his latest case involving a doctor Botoxed to death by what turns out to be his sister Ainsley (Halston Sage) screwing with him after discovering what he has kept from her. While this means Ainsley isn’t a serial killer, it does mean she’s perhaps even less mentally stable than the show has explored so far as she is incapable of realizing just how far she has taken things to try and teach her brother (who risked his job and prison to protect her).
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