Alan Rapp

• Title: Colette
• IMDb: link

Beginning in the late 19th Century, Sidonie-Gabrielle Colette (Keira Knightley) became one of several ghostwriters for her husband Willy (Dominic West) who was notorious for putting out other’s work under his name (which helped secure better publishing rights and a broader audience than any of the writers could achieve on their own). A womanizer and gambler always living beyond his means, Willy was always looking for the next big thing (and wasn’t above bullying those around him to achieve his goals).

By far, Willy’s largest success were a series of novels penned by Colette, but released under his own name, about a French girl named Claudine. Much like Willy’s financial success was built on the hard work of his wife, so too is director Wash Westmoreland‘s new film built on the back of Keira Knightley’s performance. A talented woman born a century too early for her talents to be fully appreciated, Colette focuses on the first-half of the artist’s life including her marriage, the writing of her Claudine novels, her growth as an artist, her romantic relationship with both her husband and female lovers (Denise Gough and Eleanor Tomlinson), and her eventual independence.

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