Alan Rapp

Backstrom – Corkscrewed

  • Title: Backstrom – Corkscrewed
  • wiki: link

Backstrom - Corkscrewed

It seems family is going to be a big theme of the final two episodes of Backstrom‘s First Season. When the criminal who Backstrom (Rainn Wilson) threatened to stay away from Valentine (Thomas Dekker) shows up dead on the docks just outside their houseboat the unit quickly searches for other suspects besides the most obvious one. Discovering the victim and Valentine were working together on a wine-smuggling scam, Backstrom’s attention is pointed towards those hurt (especially once he learns that all the vintage wines being smuggled are forgeries).

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The Blacklist – Leonard Caul

  • Title: The Blacklist – Leonard Caul
  • wiki: link

The Blacklist - Leonard Caul

Picking up immediately following the events of the last episode with Reddington (James Spader) bleeding out in the middle of the street, the latest episode of The Blacklist will finally reveal the Fulcrum and motivate Lizzie (Megan Boone) to finding out more about Red and her connect to him. Her actions over the course of the episode will help save the life of her mysterious benefactor but also lead to the FBI agent into making some powerful enemies likely to seek some revenge.

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The Age of Adaline

  • Title: The Age of Adaline
  • IMDb: link

The Age of Adaline

The Age of Adaline takes an intriguing premise about a woman who has lived for more than a century, through the rise of women’s rights, technological booms, two world wars, and the rise of an Information Age all of which it effectively turns into a Nicholas Sparks trashy romance novel. Blake Lively stars as Adaline Bowman who, through a ridiculous premise of laughable pseudo-science a narrator (Hugh Ross) is needed to help explain, stopped aging and looks the same today as she did in 1929. Hiding for most of her life with only a daughter (Ellen Burstyn) who knows her secret, Adaline sheds her identity every ten years to hide her condition. Preparing for just such a move, Adaline encounters a wealthy artist (Michiel Huisman) and, for the second time in her life, falls in love.

Despite the film’s sci-fi set-up neither director Lee Toland Krieger nor screenwriters J. Mills Goodloe and Salvador Paskowitz are interested in exploring the various times and lives Adaline has lived except in the most superficial of ways. It’s sad because the film casts an actress that looks at home in a variety of styles and the period set direction (what little we see) is competently done.

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