Alan Rapp

Astro City #16

Astro City #16Born out of an unpublished Superman script that was never published, Kurt Busiek’s “Wish I May…” examines the tragic super-hero/super-villain relationship between teen hero Starbright and his high school nemesis Simon Sez. With a pair of different narrators, both looking back from the future, the structure of Astro City #16 is more complicated than your average comic book put the pay-off is certainly worth it.

Dealing with themes of heroism, bullying, sexual identity, revenge, rebirth, redemption, and the tempestuous crucible that his high school, Astro City #16 delivers by looking back on a single day with the hero and villain declared a truce in order for both of them to get what they wanted (if only for 24-hours).

The result is another great addition to the current Astro City series, a heartfelt message to those still struggling to find themselves during adolescence, and a hero in Starbright who I hope to see much more of in the future. Must-read.

[Vertigo, $3.99]

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Percy Jackson (Double Feature)

  • Title: Percy Jackson and the Olympians: The Lightning Thief / Percy Jackson: Sea of Monsters
  • IMDb: link

Percy Jackson (Double Feature)Based on the young adult novels of Rick Riordan, Percy Jackson and the Olympians: The Lightning Thief and its sequel Percy Jackson: Sea of Monsters come off as Harry Potter-lite with a Clash of the Titans-level understanding and use of various mythological elements.

Centered around Percy Jackson (Logan Lerman) – the son of Poseidon (Kevin McKidd), and his fellow demi-gods Annabeth (Alexandra Daddario) and Grover (Brandon T. Jackson), both films feature the threesome embarking on some kind of quest to both learn about themselves and retrieve a powerful mythological weapon which has been stolen.

In Percy Jackson and the Lightning Thief (read the full review) Percy learns of his true parentage and sets with his two new friends to retrieve the stolen lightning bolt of Zeus (Sean Bean). In the second movie (read the full review) the group must retrieve the Golden Fleece and stop the resurrection of Kronos (Robert Knepper) and the Titans.

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Batgirl #35

Batgirl #35DC Comics’ decision to end Stephanie Brown‘s days as Batgirl reinstating Barbara Gordon as the character with the launch of the New 52 never sat right with me. First, despite loving writer Gail Simone‘s work, I don’t want a gritty Batgirl comic. Second, Stephanie brought a youthful energy to the character that had been lacking for years. And third, Barbara Gordon (handicap and all) is a far more interesting character as Oracle rather than a role she outgrew years ago (long before being confined to a wheelchair).

The comic gets a new direction with Batgirl #35 that effectively de-ages the character and creates a more lighthearted world for her to live. Throw in a kick-ass new low-tech costume, a guest-appearance from Black Canary, and Babs fighting the mother of all hangovers to recover her stolen property, and the creative team of writers Cameron Stewart and Brenden Fletcher, and artist Babs Tarr, sell me on the concept fairly early. Do I still wish it was Steph under the cowl and Babs behind the computer? Absolutely, but at least this version of Batgirl has a little of her youthful energy and a slightly less dingy world to explore. Worth a look.

[DC, $2.99]

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Arrow – Sara

  • Title: Arrow – Sara
  • wiki: link

Arrow - Sara

The death of Sara rocks the team as Oliver (Stephen Amell) hunts down assassin Simon Lacroix (Matt Ward) who has been hunting down and killing those involved in a lucrative oil deal with a bow and arrow and whose brand of weapon makes him the obvious suspect in Sara’s murder. The loss of Sara also heightens Oliver’s fears about not hearing from Thea (Willa Holland) who has been secretly training with her not-so-dead birth-father Malcolm Merlyn (John Barrowman) over the past few months.

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