Alan Rapp

The Fighter

/ / Movie Reviews
  • Title: The Fighter
  • IMDB: link

Far more about family than boxing, The Fighter stars Mark Wahlberg as Mickey Ward, a middling junior welterweight professional boxer from Lowell, Massachusetts, who grew up with several sisters and an older half-brother, Dicky Eklund (Christian Bale), a once talented boxer who wasted his career away on crack and tomfoolery.

Everyone is well-cast and the performances, especially that of Bale, are top notch. The film includes clips of the real Mickey and Dicky during the closing credits and Bale is spot-on in his portrayal. The biggest surprise for me, however, was Amy Adams putting out a strong performance far outside her comfort zone by playing against type.

The script has been kicked around Hollywood for the better part of the decade with several names attached to direct (Martin Scorsese, Darren Aronofsky) and star (Brad Pitt, Matt Damon). Eventually David O. Russell was given the chance to direct Wahlberg and Bale. Maybe they should have waited a little longer.

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Tron: Legacy

/ / Movie Reviews
  • Title: Tron: Legacy
  • IMDB: link

I should have have loved Tron: Legacy. The original remains one of my favorite films of my childhood. It’s unique look and style (which has never even been attempted to be recaptured over years) was the type of eye candy and simple yet heartfelt and far-reaching message of a near future digital frontier blew my seven year-old mind.

Although Legacy has a distinctly different visual style, it still creates a beautiful world you want to get lost in for a couple of hours. The new version also throws in lightcylces, a modern take on the effects, and plenty of action. It also lifts story elements from several movies than I enjoy (which come off much better than its original ideas) some of which feel like courteous nods and homages and some of which feel like not-so-subtle rip-offs. So what went wrong?

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Black Swan

/ / Movie Reviews
  • Title: Black Swan
  • IMDB: link

Darren Aronofsky is a weird dude. Talented, but weird. The latest from the director who has given us The Fountain, Pi, and Reqiuem for a Dream is a journey into madness. Black Swan, his companion piece to The Wrestler, examines the the insular world of ballet through the tormented mind of a rising star.

Nina (Natalie Portman), a sheltered but talented ballet dancer, is on the cusp of stardom after being chosen by a demanding director (Vincent Cassel) for the lead role in his new interpretation of Swan Lake. The pressure of the role added to the smothering affection of an over-attentive mother (Barbara Hershey), and the arrival of a talented new dancer (Mila Kunis) begin to fracture Nina’s world as she starts to have experiences that cannot be rationally explained. These include, but are not limited to, hallucinations of strange bird-like creatures, seeing herself on the street, a growing paranoia, and an odd rash on her back as well as fingers which bleed without cause. No one else notices what is happening to her.

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Legend of the Guardians: The Owls of Ga’Hoole

/ / Home Video
  • Title: Legend of the Guardians: The Owls of Ga’Hoole
  • IMDB: link

Based on the fantasy series by Kathryn Lasky, Legend of the Guardians: The Owls of Ga’Hoole is something of a mess. To be fair, it’s a beautifully rendered mess, but a mess nonetheless.

The film follows the adventure of Soren (Jim Sturgess), a young owl abducted with his brother (Ryan Kwanten) by owls known as “Pure Ones” led by the evil Metalbeak (Joel Edgerton) and his mate Nyra (Helen Mirren). How exactly these other owls are pure, or what makes them pure, is just one of the scripts many unanswered questions.

Soren escapes, and with his new friends Gylfie (Emily Barclay), Twilight (Anthony LaPaglia) and Digger (David Wenham), travels to find the legendary Guardians to help stop the “Pure Ones” from kidnapping young owls in order to bolster their army and take over the world.

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