Alan Rapp

Clerks – The Story So Far

Kevin Smith Week continues here on RazorFine.  Today we’ve set aside just for the Clerks.  We’ll have reviews for Clerks II on Friday, but before we get to where we’re going it’s always a good idea to look back where we’ve been.  So let’s look back at the the film that made Kevin Smith a star and the short lived cartoon that hardly anyone saw…

Clerks
Custom Rating

Depending on your view Clerks was either a breath of fresh air, as a new and unique voice was discovered, and heard, for the first time, OR you wondered to yourself, who gave that foul mouthed fat man a camera anyway?  I’m among the former.  Kevin Smith’s low budget flick (the film was made for $27,575, paid for mostly by maxing out credit cards) is just plain fun, and it holds up quite well over ten years later..

“I’m not even supposed to be here today.”

Clerks – The Story Begins

Dante Hicks (Brian O’Halloran) is a lovable loser who works the counter at the Quick Stop.  His extroverted vulgarian best friend Randal (Jeff Anderson) works next door at the video store.  Their lives seems stuck in neutral as Dante dreams of a better life while debating Randal on pop culture issues while dealing with customers, inciteful bubblegum salesmen, and stoners Jay (Jason Mewes) and Silent Bob (Kevin Smith).  During the course of the day Dante talks to his current gilfriend (Marilyn Ghigliotti) about her sexual history while daydreaming of his former girlfriend (Lisa Spoonhauer), takes time off to play hockey with his buds on the roof, and disrupts the funeral of a high school friend. 

This low budget black and white film may not have great cinematic scope, but its heart is in the right place.  It’s look and style help to jump you into this world of luckless losers – one who dreads his life, and one who is quite happy with living day-to-day.

There are plenty of good moments to enjoy.  Some of my favorites include the discussion of Imperial contractors in Return of the Jedi, Dante’s argument with his girlfriend over the magic number 37 – and Randal’s hilarious reaction, and Randal’s unique customer service skills.

For a low budget film with a small cast the chemistry works well, and both O’Halloran and Anderson are able to make these roles their own, while other, more experienced, actors have struggled in Smith’s later films.

Does he go too far?  For some perhaps, but for this group of characters the conversations and situations seem quite natural.  Not for everyone to be sure, as the film jokes about many issues including necrophelia, oral sex, pornography, and under-age smoking.  Though to be fair to Smith he is careful to always paint the extreme view or action as extreme, crazy, and having consequences.

Clerks on TV

The lives of Dante and Randal continue at the Quick Stop in six half-hour animated adventures.  They fight off billionaire Leonardo Leonardo (Alec Baldwin) who tries to put the Quck Stop out of business by opening “The Quicker Stop” across the street, Randal is responsible for “accidentally” poisoning Leonardo Leonardo and causing an outbreak scare.  They get caught in a freezer and remember past adventures, go to court, coach a little league team, get lost in anime, and have to escape from a Temple of Doom.  They also deal with a number of celebrities that show up with their own issues such as Charles Barkley and Gwenyth Paltrow.

Only two of the episodes ever made it to air, but here you can see all of this short lived, and quickly cancelled, odd little slice of history.  It’s strange to see the strong R-rated View Askew Universe be painted into a PG or PG-13 corner.  Example: we got odd changes like Jay and Bob selling fireworks instead of drugs.

Though it takes a little getting used to, the show does have a unique style and voice that was just starting to emerge when it was cancelled.  Perhaps more of a novelty than anything else, but still there are quite a few reasons to check it out including an anime finish to an episode (way before South Park did it), and a great parody episode that shows off the near limitless avenues for these characters to explore.

My favorite parts of each episode are the ending sequences such as “Safety Tips with Jay and Silent Bob,” “Rainy Day Fun with Jay and Silent Bob,” and “Science Sez with Jay and Silent Bob.”  In each the pair try and teach an important lesson to children, while also making sure Charles Barkley (who provides his own voice) is sent packing – sometimes quite violently. 

In many ways these little segments capsulized the appeal of the entire series which was maybe a little too smart or relied too much on in-jokes for the larger audience that ABC wanted.  The extras on the set including commentary for every episode help balance out some of the weaknesses of the show and provide some insight in how hard it is to get, and keep, a show on network television.

It’s nice to see Kevin Smith return to these characters once again in Clerks II.  From the first film and these half-dozen animated episodes these characters have grown, much like the View Askew Universe, into something bigger than themselves.  Smith’s first work, and his need to continue to return to it, show that there are stories about these characters still left untold.  I hope to see more.

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A Shared Moment

  • Title: Chasing Amy
  • IMDb: link

chasing-amy-poster

I came into the View Askew Universe in the middle.  I hadn’t seen Clerks or Mallrats and didn’t even really know much about this filmmaker named Kevin Smith.  I was in college and over winter break a friend had recommended this film called Chasing Amy to me (thanks Mary!!).  She wouldn’t tell me much about it except that it was something she wouldn’t recommend to everyone but thought it was something I might like.

Back at school a month or two later I discovered that for two nights the university movie theater was showing that same film.  Remembering the recommendation and with nothing better to do I went and I went back the next night to see it again.  I can’t remember a film that touched me on so many levels and I’ve been a supporter of Kevin Smith ever since hoping one day he’ll find the magic he weaved in this film.  Over the years I’ve been entertained by Smith’s later work and enjoyed his two previous films but sadly none would measure up to the one so dear to my heart.

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Kevin Smith Week

It’s Kevin Smith Week boys and girls.  For the next couple days we’ll take a look at Silent Bob himself and journey deep inside the View Askew universe.  We’ve got reviews for his past flicks, a look back at his work in print, an interview with Brian O’Halloran and Jeff Anderson, and reviews for the new flick – Clerks II

Check out the links to all the View Askew goodness inside the Full Diagnosis.

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Snootch to the Nootch boys and girls.  It’s Kevin Smith Week here at RazorFine.  Check out the links to all the reviews, a look at Kevin Smith’s work in books and comics, and our interview with Brian O’Halloran and Jeff Anderson below!

Alan’s Clerks II review

Ian’s Clerks II review

Brian O’Halloran and Jeff Anderson Clerks II Interveiew

Kevin Smith – Books and Comics

Clerks (film and TV) review

Jay and Silent Bob Strike Back review

Dogma review

Chasing Amy review

An Evening with Kevin Smith DVD review

Mallrats review

Jersey Girl review

 

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You & Dupree, But Not Me

You’ve seen this film before, we all have.  The clumsy, klutz, problem friend who ends up causing problem for a loving couple.  We’ll now you can see it again!  Joy.  Too predictable, and once again this year we find a film that breaks our “One Dumb Move Rule.”  Given its faults the film can only choose to try and skate by on the charm of its stars.  Now, it has quite a bit of charm, but not that much.

You, Me and Dupree
2 Stars

A premise about a good hearted but annoying friend can only take you so far.  The charm of you stars can take you a little further, but in the end if there’s no real point, and your movie is relying solely on gags and disaster scenes, you’ve got a problem.  You, Me and Dupree isn’t terrible, hell it’s even bearable for the most part.  It’s just not very good, but compared to Kate Hudson’s recent string of insipid romantic comedies it’s actually an improvement.

Dupree (Owen Wilson) is an idiot, klutz, emotionally stunted, and a fool (except when the movie needs him to be clever, suave, romantic, and wise).  His best friend Carl Peterson (Matt Dillon) has just gotten married to a lovely girl named Molly (Kate Hudson).  For taking time off for the wedding to serve as Carl’s best man Dupree gets fired and loses his job, car, and apartment.  So Dupree moves in with the couple.

From here you can tell where the story will go.  Dupree will infuriate Molly to the point where he’ll get thrown out.  Only then Molly will feel sorry for him and find the “true man” beneath the surface angering Carl to no end.

There’s also a subplot involving Carl who works for Kate’s father Mr. Thompson (Michael Douglas).  Thompson does everything he can to ridicule and belittle his new son-in-law despite his apparent love for his daughter.  I do have to give kudos for the casting here; the scenes with Douglas and Hudson come off surprisingly well.

The film starts to fall apart when every issue and problem can be solved with a simple talk.  Hence, the movie breaks our “One Dumb Move Rule” where one simple move, word, or action can solve the conflict and isn’t done simply to continue the contrived plot device in which the characters have been imprisoned by the writer and director.

Despite it’s problems the film does have some charm and a few funny moments.  It’s much better than this years Failure to Launch (what isn’t?), but still not good enough for me to recommend to you.  Still fans of Hudson’s romantic comedies should enjoy themselves here.

The film is just too predictable.  The jokes or “surprises” you’ll see coming long before any of the characters, and the contrived problems could have been easily solved with a simple talk.  The cast puts forth some good performances trying to save this one; even if they don’t quite succeed the effort itself is something to be proud of.

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What Does a Scanner See?

  • Title: A Scanner Darkly
  • IMDB: link

a-scanner-darkly-posterIn terms of filmmaking A Scanner Darkly is a huge success.  In terms of an enjoyable summer flick…well, let’s just say it’s not something you want to go into without being prepared for.  The film is based of Philip K Dick’s novel of the same name which is an otherworldly fictional semi-autobiographical tale about drug use and drug culture.  Still with me?  It’s an intense picture that at times is very slow and somewhat difficult to enjoy, but by the end what you are left with is an undeniably unique theater experience that you will either cherish or curse my name for recommending it to you.

Agent Fred (Keanu Reeves) is an undercover police agent playing the role of a drug dealer named Bob Arctor.  Even his bosses don’t know who Fred really is, only that he is one of the people in the house which is filled with hidden cameras and scanners.  All his reports are made while wearing a scramble suit which completely hides his identity.

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