Alan Rapp

This Week in Animated Film

When a new device known as the DC-Mini, which allows the user to enter the dreams of others, is stolen and one of the assistant researchers turns up missing Dr. Atsuko Chiba (and her fearless dream alter-ego Paprika) lead a group to find the truth and discover who is using the machines to drive the remaining researcher insane.  If you prefer, here’s a HD trailer.  The film, presented in Japenese with English subtitles, after spending a month in limited release, opens in wider distribution of Friday, and we’ll have the review!

Paprika
N/A

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This Week in Foreign Film

From Switzerland comes the tale of a gifted young boy.  His parents encourage his natural talent at the piano, but all Vitus wants to to is spend time in his grandfather’s workshop and learn to fly.  Fabrizio Borsani, Teo Gheorghiu, Bruno Ganz, and Julika Jenkins star.  Check out the official site.  The film, presented in Swiss and German with English subtitles, opens in limited release in select cities on Friday.

Vitus
N/A

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Ark Building for Dummies

I kind of liked Bruce Almighty, and I’m certainly a fan of Steve Carrell, but when I heard the idea of this sequel I wasn’t so keen on the idea.  The set-up of Steve Carrell acting all crazy and building an ark sounds like a great skit, but does it work for 96 minutes?  Well, much like the first film, the answer is – sort of. 

Evan Almighty
3 Stars

“Genesis 6:14: Make thee an ark of gopher wood; rooms shalt thou make in the ark, and shalt pitch it within and without with pitch.”  Now I don’t know exactly what that means, but boy doesn’t that sound like the stuff to make an insanely expensive summer blockbuster comedy?  Um…

Evan Help Us

As the film opens Evan Baxter (Steve Carrell) leaves the newsroom and moves his family (Lauren Graham, Johnny Simmons, Graham Phillips, Jimmy Bennett) to Washington to begin his new career as a freshman Congressman.  With a new house and a new job things are looking good for Evan.  Except that God (Morgan Freeman) shows up and commands Evan to make him an ark.  Despite Evan’s steadfast refusal God won’t take no for answer and puts the poor Congressman through hell until he accepts his responsibility, even at the cost of his job, his dignity, and his family.  Evan’s appearance is altered, his hair and beard begin to grow, his clothes disappear, and animals, in pairs, begin to be attracted to his presence.  Finally, with no other recourse, Evan gives in and accepts the responsibility of building the ark.

Overall the performances are good.  Carrell makes a likable leading man, as he proved in The 40 Year-Old Virgin, and spends most of the time getting shit on (more on that later) by God’s odd sense of humor.  As the heart of the film he serves a purpose of giving us someone to both root for and care about.

John Michael Higgins, Jonah Hill, and Wanda Sykes have small and inconseqential roles as Evan’s Congressional staff as their characters are given only enough screen time to make a short one-liners and then disappear for large stretches of time.  John Goodman does what he can with the thinly written baddie politician of the piece.  And Molly Shannon shows up, I’m assuming, just to annoy me.

And I can do without the animal crap-humor!  Jeesh!  I know Hollywood loves crap jokes, but please learn to control yourselves.  There are at least four different such jokes in the film.  Birds defecating on someone is mildly amusing, but it’s hardly hilarious (and it becomes less, not more, amusing each time it happens).  When you get right down to it that’s the central problem with the film.  It will keep your interest and make you chuckle and you’ll have a good time, but there are no big laughs, no real memorable moments, and nothing to discuss with your friends afterwards (certainly no Man-o-Lantern in this one!).

And somebody explain the title to me please.  In the first film Jim Carrey becomes omnipotent, a God, aka almighty, and that’s where the title comes from.  Here God just makes Carrell build a big wooden boat and tortures him when he refuses.  I don’t know about you but that doesn’t sound very “almighty” to me.  Did no one in marketing catch this?  This might seem a small complaint, but it is emblamatic of one of the problems with the film – going for the cheap or easy joke like the crap jokes or the beard jokes, which are just a little too reminiscent of The Santa Clause for me, rather than thinking each problem through and crafting something more original.

One scene the film does have going for it is God’s explanation to Evan’s wife (Graham) of “God’s mysterious ways.”  Rarely, in film or real life, have I heard a better explanation and the scene provides a nice moment for Graham who otherwise is left trying to act confused, sad, bewildered and angry (all at the same time) about what is happening to her husband.  There are few such moments in the film that make it worth seeing, but if the entire film had been handled with the same care this might have been a truly miraculous film rather than just a flood of crap-jokes and one-liners.

For what amounts to the most expensive comedy ever made ($175,000,000) the film is a slight disappointment.  There are many laughs with some good bits throughout, and a couple of touching moments, but much like Bruce Almighty the film fails to inspire the big laughs that seem to be just around the corner.  Still, it’s an enjoyable little summer comedy that should entertain you, at least for awhile.

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Day Watch

I never saw Night Watch or read the Russian novels which on which the story is based.  If I had perhaps the plot line and the characters of the universe might have made more sense to me.  But then again, considering how little (not counting the early exposition narration) is explained in this film, maybe not.  As an action film with subtitles (that will be popular I know) it won’t blow you away, but it might be worth a couple hours of your time as a mild diversion from the hot summer sun.

Day Watch (Dnevnoy dozor)
3 Stars

Day Watch picks up a year after the events of Night Watch.  We are given a rushed narration to explain the events of the first film and the rather incomplete outline of this world.  There are two opposing forces, armies of Light and Dark, who are known as the Others.  Centuries ago they battled until an uneasy truce was made.  Now these psychics, shape-shifters, and vampires live in a world trying to keep the necessary balance intact, though one man has decided it is time for war.

Anton (Konstantin Khabensky) and his new trainee Svetlana (Mariya Poroshina) , who is destined to be the Great Other for the side of Light, encounter a Dark Other killing a human in public.
Tracking him down Anton discovers it is his son Yegor (Dima Martynov) and prevents Svetlana from killing him.  Anton then tries to hide the evidence of his son’s involvement which only puts himself in danger as the Dark Others accuse Anton of murder and the world tips on the edge of war.

The film contains large armies that don’t really do much.  The vampires don’t eat people, there are no werewolves, and the shape-shifting we see is mostly disappointing.  Also parts of the film aren’t well explained.  What is “the gloom” and how does one enter and exit from it?  Who are these judges to decide the fate of Anton?  The Light Others can prove Anton did not kill the girl, but they refuse, why?  And though the idea of the mysterious Chalk of Fate is intriguing, its existence is never properly dealt with.

In terms of an action film the movie has many stunts and special effects which come off quite well.  The fact that it shot in Russia also adds something to the Gothic feel of the film.  But the film is laughingly bad at trying to capture the seductive and erotic tones of vampire films.  The audience was rolling their eyes and guffawing during these “intimate” moments.

As a horror film or a suspense film Day Watch fails on many levels.  As an average summer popcorn action flick, with better than average acting, the film is a modest success.  I don’t think anyone will be wowed by the action scenes or the special effects, though they are professionally done, or come away blown away from the experience.  What Day Watch proves is that other countries can create convoluted big budget action films, that when you get right down to it don’t make a lot of sense, just as well as Hollywood can.

There’s a look and feel to the film which I enjoyed.  And except for the moments of unintentional laughter the tone holds up well.  If the world had been a little better fleshed-out and described to the audience it would have helped immensely.  Still, with the issues I have with the film I am recommending it, though I would suggest renting the first film before trying to figure this one out.  Although isn’t as good as I hoped, it does do a much better job with it’s material than similar recent American vampire films such as the forgettable Van Helsing and the supremely awful Underworld Evolution (read that review).

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