Alan Rapp

Assassin or Soccer Mom?

  • Title: Elektra (Unrated Director’s Cut)
  • IMDB: link

Okay, I’m one of the few people that liked 2003’s Daredevil which stayed true to both the character and storyline of the comic character.  Elektra tries something different and the result is both ridiculously bad and unintentionally funny. 

The film takes story elements from two Elecktra graphic novels, Elektra Lives Again and Wolverine/Elektra: Redeemer sans Wolverine, that don’t really fit together and then hired some guy to fill in the rest of the film with what he thought sounded like comic book dialogue.  The result is a train wreck of a film that never can pull all, or really any, of its elements together.

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Stewie’s Story

Family Guy was cancelled, but during the three year hiatus series creator Seth MacFarlane kept the dream alive by proposing a Family Guy feature.  Eventually Fox agreed and as the feature was being put into pre-production Fox also decided to pick the show back up for a third season.  They now wanted the feature to be able to be broken down into separate segments so later they could also air them as individual episodes.  The result is Family Guy Presents: Stewie Griffin – The Untold Story.  As you might expect the change in the scope effected the finished product.  So how does it work?  The DVD is basically three new episodes of the show that contain a common thread put together with an added prologue and epilogue.  That’s not much for a pricey $29.99 (list price though you can probably find it for about half that); still for fans of the show I think there’s enough here to enjoy despite the steep price.

Family Guy Presents: Stewie Griffin – The Untold Story
3 Stars

Aaron and I have this ongoing debate about Family Guy.  He feels the show’s over-reliance on pop-culture references is a crutch while I argue it allows for 90% of the show’s best moments.  Taking a page from Buffy the Vampire Slayer, the show takes movie, television, current events, and makes references or in Family Guy‘s case some extremely funny parodies.  Yeah, maybe each show’s actual plot isn’t as good as individual moments but there is always something to enjoy.

The film starts out with the event of the Family Guy movie premiere.  Everyone shows up in style on the red carpet including a very intoxicated Lois (voice by Alex Borstein), the mostly ignored Meg (voice by Mila Kunis) and the celeb of the night Stewie (voice by Seth MacFarlane).  After opening credits the movie starts. 

The first episode involves Stewie’s change of heart from his a short stint in hell (see how long it takes you to recognize the song) after an unsuccessful attempt to blow up another child.  The second episode involves Stewie and Brian (voice also by Seth MacFarlane) traveling cross country to find a man Stewie believes might be his real father but who turns out to be Stewie from the future.  The last episode involves Stewie’s horror at his future self and his attempts to stop the events that might lead him down a similar path.

The story arc itself is a little odd due to the demands of Fox in insisting it be able to be broken down into separate segments.  Of the three I found the first two much better written than the third which includes long exposition scenes and a rather unsatisfying conclusion.

Of course fans of the show have come to expect some great pop-culture parodies and riffs and the DVD includes quite a few including at least three Star Wars moments, some Thundercats and Beverly Hills 90210 which both include voices from the real actors, a riff on the car chase in Bullit, a brutally funny Bugs Bunny cartoon, and a rather humorous view of the magic of Jesus.

Not a great collection (less than 90 minutes for $30?) but a good one that includes some classic Family Guy moments and the commentary is quite good.  Fans of the show will no doubt want to add this to their collection but for the casual fan or someone interested in getting into the show I’d suggest checking out one of the season sets on DVD where you’ll get more bang for you buck.

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100 Most Unexpected Moments in Television

TV Guide and TV Land have joined up to bring us a five part countdown on the 100 most unexpected moments throughout the history of television.  More than slightly skewered to present day viewers (50 of the moments come from 1990-2005) still there’s some interesting stuff here.  Each night this week TV Land will count down 20 moments until reaching #1 (last night counted down #100-81).  For the schedule and full list of events read on…

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Seriously Long Movie

Syriana is Arabic for pretentious long movie.  The dramatic telling of US Policy in the Middle East tries to blend many fractured stories together into one gigantic mess of a picture.  Despite fine performances the stories never come together, nor are we ever presented a compelling reason to care about a single person or event.  More of a lecture than a movie, and a rather boring one at that.

Syriana
2 Stars

Syriana, in it’s own way, is a character study.  The problem is rather than a flesh and blood character the focus of the study is the abstract and multi-faceted US Policy in the Middle East.  While I think this might make for a fascinating documentary or book (it’s based off of Robert Baer’s See No Evil: The True Story of a Ground Soldier in the CIA’s War on Terrorism) as a movie I found it boring, hard to follow, impossible to care about, and overly pretentious.  Despite good performances from most of the cast all I got from this film was a wasted two hours that felt much more like five.

The movie involves several different threads that only are related in that they are facets or results of the US Policy in the Middle East.  We get George Clooney, who despite what trailers may have led you to believe is not the star of the film but only one of the ensemble, as a CIA expert in the region mistrusted by his co-workers for his unerring honesty.  Of what he is actually an expert on is never fully explored or explained as his story is only about 35 minutes of the running time.

We also have a story involving an oil company under investigation for illegal activities.  Christopher Plummer, Chris Cooper and Jeffery Wright head this storyline.  Wright plays an ambitious up and comer willing to deal and sacrifice to get ahead.  Once again we get characters and story that if fully developed could have made for the backbone of a strong movie but here are relegated to about 40 minutes of compressed time.  There is also a side-story about Wright and his character’s father which is hamfistedly hinted at several times but again never satisfactorily explored.

There is the story of two Iranian brothers who are out of work and are taken in by Islamic extremists in hopes that they might join the cause.  Truthfully told this storyline never worked for me since again the characters haven’t been explored fully we don’t care if they find God, become terrorists or open a fruit stand in the middle of Mardi Gras.  This story takes up about 40 minutes of the movie.

There is also the story with Alexander Siddig in the film’s best performance.  He plays the revolutionary prince who wants to transform his country into a stable democracy which the US will never allow to happen.  His story intersects with investment officer Matt Damon who loses something precious at one of the Emir’s hotels and is befriended at hired by Siddig.  Damon’s character is the only character whose home life is explored in the film and Amanda Peet gives a good understated performance as his wife.

There are many good performances in the film; if the story and characters had been developed and the focus had been a more personal and intensive character study I would have been much happier.  Siddig, who I’ve been a fan of for years, gives the film’s best performance as the man who would be king.  Prince Nassir is a complex character that I enjoyed watching.  The other performance that stands out for me is Matt Damon as the Swiss investment officer.  It’s not surprising that these two provide the best scene in the film where they discuss business and the death of Damon’s son.

The movie is broken up into several different stories that are only peripherally related.  The film seeks to take a look at the effect of US policy in the Middle East which is all well and good, but it goes about it by setting up an abstract main character like US policy which is more important to the director than any of the individual stories.  Because of this all the stories suffer.  We are constantly being pulled out from one story into another, back and forth, not allowing us to fully understand or inhabit the characters and their situations.

The film has quite a bit to say, too much if you ask me.  After a short action scene we are moved into a period introducing character after character as each is explained and set up through words not actions.  It’s information overflow.  Writer/Director Stephen Gaghan knew he had too much to cover and this is a poor excuse for trying to shove it all down the audience’s throat at once.  We get a board meeting where oil executives talk about the situation in the Middle East.  We get CIA talking about the situation in the Middle East.  We get Damon’s character giving interviews and talking about the situation in the Middle East.  We get two brothers talking about their situation.  Yap, yap, yap. 

By the time the movie shows us anything most of us have tuned out or fallen asleep.  The early lecture scenes are not helped by the shaky hand held photography at slightly upward angles.  If I didn’t know better I would assume they were filmed by a midget with cerebral palsy.

There are only two scenes that actually create any audience reaction (that’s not much for a two hour film).  The first is the desert scene between Damon and Siddig.  The second is a torture scene that is neither well set up nor executed as we are yanked away from it and shoved back into another story just as things were getting interesting. 

Also, for characters that travel across the globe we see precious little of them doing so.  Characters apppear in Washington or Geneva and in the next scene they are walking around the desert.  There are numerous little problems like this that drove me nuts that I can only assume are in the film due to the editing process of trying to get this film close to the two hour mark.

 

I’ve seen three movies (Syriana, Traffic, and Abandon) written by Gaghan and I’m not a fan.  I find his films to be too abstract and impersonal, all issue and no emotion, and lacking any meaning or relevant point.  This film wastes good performances in an attempt to try an be a morality tale or pseudo-documentary of the US policy in the Middle East.  The problem is we already understand that the US policy is screwed up in that region and the film adds no new information or solution to the problem.  A waste of money, time, and talent that never comes close to achieving anything worthy of what it took to make.

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Fawlty Towers

John Cleese considers his work on Fawlty Towers to be some of the best of his career.  Cleese co-wrote and starred as hotel owner Basil Fawlty for twelve hilarious episodes that originally aired on the BBC in the late 70’s.  The entire collection is available on DVD and for fans of Cleese or just comedy it’s a must have.

Fawlty Towers
4 & 1/2 Stars

How good is Fawlty Towers?  Well, the British Film Institute ranked it the number one television program of all time beating out Doctor Who, Monty Python’s Flying Circus, and The Prisoner (read my review of The Prisoner here).  Add the fact that John Cleese considers it some of the best work of his career and you know you’ve got something pretty special here.  Written and performed with then wife Connie Booth Fawlty Towers is comic gold.

Basil Fawlty (John Cleese) owns a small hotel with his wife Cybil (Prunella Scales) in the sleepy hamlet of Torquay.  Not cut out for the hotel business Basil grouses, ignores, intimidates, spies on, and insults everyone.  In Basil’s view there is only the one thing wrong with the hotel business – the customers.  Cybil (Prunella Scales) is the shrewish wife who spends most days talking on the phone and leaving the business to Basil so she can complain about his horrid management style. 

To help them they have a small band of characters.  Manuel (Andrew Sachs) is the bellhop, waiter, and handyman who speaks little English and understands even less.  The only stable influence is maid Polly (Connie Booth) who despite her best efforts finds herself pulled into Basil’s half-baked schemes again and again.

Cleese is at his best in the role as the maniacal Basil who as my Grandmother might say is just dumb enough to be dangerous.  His seething hatred for his customers and wife boil out into such hilarious outbursts and incidents that you are amazed and entertained with each viewing; he plays the part with such wicked glee.  Surrounded with a good cast Cleese takes the character into all sorts of unsuspected places and provides laugh after laugh.

The three disc collection is bursting with extras including director commentary for every episode by the series two directors John Howard Davies and Bob Spiers.  There are long interviews with Cleese about his experience with the show and extras on the real life character on which Basil was based.  There are featurettes on the hotel and the town of Torquay as well as fun clip segments arranged by theme.

Episodes:

A Touch of Class
Tired of the riff-raff staying at the hotel Basil has taken out an ad in a newspaper to attract a higher level of clientele.  The problem is it attracts a confidence man who, when he is found out, sends Basil up the wall.

The Builders
To save some money Basil hires a less reputable contractor to work on the hotel while he and Sybil go away on holiday.  On returning he discovers that the dining room has been completely walled up and has to find a way to fix it before Sybil kills him

The Wedding Party
Misreading the situation Basil suspects that promiscuity and fornication may be going on right under his nose.  Not in his hotel!  He spies to try and find the truth creating a series of unfortunate incidents.  The final scene is priceless.

Hotel Inspectors
After learning that hotel inspectors are in town Basil goes into overdrive trying to please the guests he believes might be inspectors while ignoring and offending everyone else only to find out the hotel inspector might not be who he thinks.

Gourmet Night
To help bring in a higher quality of customer Basil arranges for a gourmet night.  Problems ensue when the chef drinks himself into a stupor because Manuel spurns his romantic notions.  Basil tries to balance the proceedings instead of cancelling the dinner.

The Germans
Both Cybil and Basil end up in the hospital.  Cybil for a normal operation and Basil for a concussion and head trauma caused by a stuffed moose head and an ill timed fire drill.  Basil returns to the hotel in his concussed and medicated state and can’t quite stop from telling the German guests about WWII.  (For my money the best episode of the series)

Communication Problems
Basil tries to hide his horse track winnings from Cybil who doesn’t allow Basil to gamble.  At the same time a deaf customer has replaced a large sum of money.

The Psychiatrist
Basil just knows the new male guest has smuggled a girl into his room and is out to prove it.  The pychiatrist couple watch and comment on Basil’s eccentric behavior.

Waldorf Salad
A very paticular American customer wants a Waldorf salad but the kitchen is closed and he won’t take no for an answer.

The Kipper and the Corpse
Two customers rile Basil.  The first is a woman who demands special attention and service for her dog; the second is a corpse which Basil and Manuel try to smuggle out of the hotel in a laundry basket.

The Anniversary
Cybil leaves thinking Basil has forgotten their anniversary.  As her friends arrive for the surprise party Basil had planned he has to figure out something to do.  Unwilling to admit Cybil is gone he fabricates lie after lie and even involves poor Polly into standing in as the sick Sybil who is near death’s door.

Basil the Rat
The health inspector is coming and Manuel’s pet rat, affectionately named Basil, is on the loose.

 

This is truly an astonishingly funny show.  My only real complaint is that there were only twelve episodes made.  A nice DVD to add to your collection and since each episode is thirty minutes in length it’s a nice thing to pop in whenever you’ve got a little free time and need a quick pick-me-up or a good laugh.  So if you’re in need of a holiday why not spend the night at Fawlty Towers?

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