Alan Rapp

Pinocchio

  • Title: Pinocchio (2022)
  • IMDb: link

Beloved by fans and critics alike, although 1940’s Pinocchio may feel a be dated in spots there is nothing about the film that calls for a new version of the story (let alone three in one year – including one with Pauly Shore?!). However, Disney (in all its wisdom) has chosen Pinocchio for the latest “live-action” adaption of one of their classic animated films (featuring multiple CGI characters, of course). The results are a longer running time, an unnecessary backstory for Geppetto (Tom Hanks) that never leads anywhere, and far less magic.

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Little Demon – Possession Obsession

  • Title: Little Demon – Possession Obsession
  • wiki: link

Using what her father (Danny DeVito) taught her, Chrissy (Lucy DeVito) starts to employ possession, at first for the thrill but later in an attempt to help people. The episode fits into the theme of Chrissy learning about abilities she’ll then struggle with in her everyday life. Her efforts are stymied both by the town’s growing unrest at all the unexplained behavior and losing her own body temporarily to her father’s rival. “Possession Obsession” offers lots of body swapping and eventually a bloody public spectacle (raising the question whether or not the whole town realizes the antichrist is living amongst them).

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The Sandman – 24/7

  • Title: The Sandman – 24/7
  • IMDb: link

“24/7” sticks primarily with John (David Thewlis) for the majority of the episode as he takes the reacquired ruby for a test drive playing with the lives of those in a small dinner including a waitress (Emma Duncan), a scared girlfriend (Daisy Head), a power couple (Lourdes Faberes and James Udom), a young man (Laurie Davidson) on his way to an interview, and the fry cook (Steven Brand). Stripping away lies and forcing each character into giving into their baser desires. I have to imagine that if anyone tried to create a Spectre series, it might look something a little like this (with a bit more wrath thrown in).

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