Alan Rapp

Elektra: Black, White & Blood #1

Elektra becomes the latest comic character to get her own black-and-white mini-series featuring separate tales of the comic character, and, like both Red Sonja and Deadpool, hers will have a splash of red.

My favorite of the three tales, mainly for the art by Mark Bagley, “Red Dawn” offers a tale of Elektra left for dead and turned by vampires but still with enough strength to fight back against the urge to become one of them.

In “Not the Devil” Elektra hunts down and kills minions of the Kingpin from the shadows but momentarily hesitates after hearing the pleas of a young girl. And in the final story, “The Crimson Path” offers a more metaphysical tale of Elektra and her fight against evil and monsters which leave their mark on her.

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News and Notes

Collider has some early images of Lauren Cohan‘s role of Julia Pennyworth in DC’s upcoming animated movie Catwoman: Hunted

The Hollywood Reporter is reporting Disney has decided to release Pixar’s next animated feature Turning Red directly to Disney+ following the recent surge in COVID cases.

WresteTalk has a list of the 19 (of eventual 30) women announced for the 2022 Royal Rumble match including IMPACT Knockouts Champion Mickie James

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Alex Rider – Heist

  • Title: Alex Rider – Heist
  • IMDb: link

After travelling to Amsterdam, Alex (Otto Farrant), Kyra (Marli Siu), and Tom (Brenock O’Connor) work on a plan to how to sneak Alex and Kyra into Damian Cray‘s (Toby Stephens) company to download the full code of The Feathered Serpent video game in hopes of learning what it is for. The episode works well with the pair smuggling themselves into the company through a delivery truck and then working their way to the upper offices. They also come across a shipment of gas masks and hazmat suits foreshadowing the evil that Cray has planned. 

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The 355

  • Title: The 355
  • IMDb: link

There’s a fun, if not bright, story in The 355 once things get going and the female operatives from various spy agencies around the globe decide to work together. I don’t know that the movie is going to do well enough to earn a sequel, but I would suspect a second film, without the need for such lengthy set-up, would be superior. The main takeaway from The 355 seems to be that a female-led action movie can be just as dumb as any with an all-male cast.

The plot, so to speak, involves a technological super-drive (the kind of device you only find in these types of movies) that can crack anything (planes, financial records, power plants, your Spotify account, etc.). Discovered by accident on a drug raid, an agent (Edgar Ramírez) in Columbia attempts to sell it only to see it fall into the hands of a black market auctioneer who plans to sell it to the highest bidder giving them the power to destabilize the world with the press of a few buttons.

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The Tender Bar

  • Title: The Tender Bar
  • IMDb: link

Adapted from the memoir of J. R. Moehringer, The Tender Bar is a comfortable warm sweater wrapping up the childhood and college life of JR (played by Tye Sheridan and Daniel Ranieri) and his colorful family, most notably his Uncle Charlie (Ben Affleck) in whose bar he learned as much about life as four years at Yale.

Directed by George Clooney, The Tender Bar isn’t great drama, nor outrageous comedy, but it’s a light and breezy look at a young man’s life who would be raised by his mother (Lily Rabe), in the often-overflowing home of his grandfather (Christopher Lloyd), and his uncle who would instill in him a love of books leading to his eventual profession. With solid performances and some witty narration by Ron Livingston as an older, and perhaps wiser, version of JR, The Tender Bar doesn’t ask much of the audience other than to enjoy a good story.

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