Comics

The Death of Zorro #1

death-of-zorro-1-coverFrom Dynamite Entertainment and writer Ande Parks comes a team-up (of sorts) between two of Dynamite’s biggest stars. Our story begins with an aging Don Diego de la Vega putting on the costume one more time when soldiers attack a nearby mission, and ends when news hits the comic’s other masked man that the hero known as Zorro is dead.

Although I’m not a big fan of Esteve Polls’ art, the issue does have a few things going for it. First, it gives us the Lone Ranger and Zorro in a single comic (although it fails to give us the two of the together in even a single panel, which is a bit of a disappointment). The presentation of Diego’s final battle juxtaposed by the note he left his wife is also a nice touch.

All that said, too much of the issue centers around periphery characters which I doubt will play that big of a role in the rest of the series. As first issues go, especially for a five-issue mini-series, this one needs to deliver more up front. Hit-and-Miss.

[Dynamite, $3.99]

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Detective Comics #875

detective-comics-875-coverFor an issue of Detective Comics featuring only a cameo of Batman this one ain’t too bad. Commissioner James Gordon takes center stage here, haunted by the return of his son and an unsolved series of child murders more than fifteen years ago.

The two stories fit well together (even without the thread writer Scott Snyder shoves in at the end), and the story reminds us how much the job has cost Gordon over the years and how the thousands of cases he’s solved can’t outweigh the ones that still haunt him.

Although I’m not wild about the art for Batman (in the couple of panels the Dark Knight Detective actually appears), Francesco Francavilla’s style works well for a story centered around Gordon, both in the past and the present. It will be interesting to show how the James Jr. storyline plays out, and how much time it’s given center stage (as it is here). Worth a look.

[DC, $2.99]

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Amazing Spider-Man #657

amazing-spider-man-657-coverAnother strong issue dealing with the effects of Johnny Storm‘s death. Spider-Man shows up at the Baxter Building offereing his condolences and reminicing with Reed, Sue, and Ben about their fallen friend.

I’ve only got minor complaints with this issue such as it being set before the events of FF #1 (which came out last week) and the awkwardness of the first couple of pages. Other than that I really enjoyed this issue (which is something I’ve only been able to say occasionally about this title in the past few months).

What we do get is multiple stories from different artists including Spidey, Reed, and Johnny in space, Spider-Man going camping with the Fantastic Four, and the Invisible Woman pulling down the pants of criminals in the middle of Central Park. Yes, it’s as fun as it sounds.

There’s also a nice moment at the end where the family sits down to watch the message Johnny left for Peter. It may not be as good as the one from FF #1, but it’s still a nice moment. Worth a look.

[Marvel, $3.99]

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Comic Rack

It’s a new week so it must be time to talk about comics! Welcome to the RazorFine Comic Rack boys and girls. Pull up a bean bag and take a seat at feet of the master as we offer you this quick list of all kinds of comic book goodness set to hit comic shops and bookstores this week from all your favorite publishers including DC, Marvel, Dark Horse, BOOM!, Dynamite, Image Comics, and others.

This week includes Abyss: Family Issues, Axe Cop: Bad Guy Earth, Betty, The Boys, Brightest Day, Chew, Doom Patrol, Dungeons & Dragons, Heroes for Hire, House of Mystery, The Intrepids, Jonah Hex, Memoir, Secret Six, the first issues of Blue Estate, B.P.R.D.: The Dead Remembered, Charismagic, The Dresden Files: Fool Moon Vol. 1, Fear Itself, The Green Hornet: Aftermath, Herc, Nonplayer, Skaar: King of the Savage Land, Solomon Kane: Red Shadows, and the final issues of Bring the Thunder, Raise the Dead II, and Ultimate Comics Captain America.

Enjoy issue #122

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Batman Incorporated #4

batman-inc-4-coverThere are two different types of comic writers. The first attempts nothing more than to tell good stories month after month by understanding the characters, the world they inhabit, and working within that framework. The second attempts to deconstruct the existing reality of a hero in an attempt to create a definitive version. Grant Morrison is the later. And that’s why he so often pisses me off.

This comic has at least three separate stories going on (actually more, counting the multiple flashbacks of Kathy Kane) and is presented in the twisted half-assed teasing manner Grant Morisson thinks makes great storytelling, but, at least for me comes off as a fanboy who has seen Momento way, way too many times.

The story involves Batwoman, flashbacks to the early (and late) days of the original Batwoman, Batman caught in a death trap, and a villain who is somehow connected to it all. Oblique storytelling isn’t terrific in and of itself. If it were Grant Morrison might be the best author of all time.

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