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River’s End

  • Title: River’s End: California’s Latest Water War
  • IMDb: link

Using California, specifically Southern California’s heavy irrigation and consumption of water pumped in from Northern California and elsewhere, director Jacob Morrison examines a growing water crisis involving far too many players fighting over far too scarce a resource.

At the heart of the film is the Sacramento–San Joaquin River Delta which provides water to much of the state including Los Angeles, San Francisco, and one of the largest (and most profitable) corporate industrial agricultural businesses in the world. The Delta also provides water to its existing area, including farms and an increasingly fragile ecosystem feeling the effects of decades of too much water being taken out of the Delta. The documentary offers examples of the ecological disaster of Lake Erie and the destruction of the Owens Valley as potential futures for the Delta unless changes are made.

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Come from Away

  • Title: Come from Away
  • IMDb: link

“We honor what was lost, but we also commemorate what we found.”

Twenty years after 9/11 and 14 months into the COVID shutdown, Broadway reopens for a performance of Come from Away featuring many of the original Broadway performers for a live recording on the musical about 7,000 strangers from all over the world stranded in the small town of Gander for five days. While originally planned to be a more traditional film, with scenes filmed in Newfoundland, the live performance of the first returning Broadway show brings its own kind of magic that is wonderful to watch unfold.

Based on true events, the Canadian musical by Irene Sankoff and David Hein offers plenty of both laughter and tears over its 106-minute running time featuring a small cast playing multiple roles of both the shaken visitors and incredibly hospitable locals. And director Christopher Ashley knows just how to frame each sequence, giving us the best seat in the house. 

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Corridor of Mirrors

  • Title: Corridor of Mirrors
  • IMDb: link

The film debut of both director Terrence Young (From Russia with Love, Thunderball) and actor Christopher Lee (albeit in a minor role), 1948’s Corridor of Mirrors is an atmospheric thriller involving an eccentric bachelor (Eric Portman) who falls in love with a young woman (Edana Romney) who eerily resembles a Renaissance painting he keeps in his home. Their relationship mostly involves Mangin (Portman) dressing Mifanwy (Romney) in a variety of dresses and jewelry that fit her perfectly. As she struggles against his control, and the warnings of an older woman (Barbara Mullen) in the house suggesting dangerous ulterior motives in Mangin’s actions, their relationship ends disastrously, and, years later, tragically.

Although it may feel a bit dated in places, the tone and tension of the story hold up well as does Young’s direction and the cinematography of André Thomas. Re-released on Blu-ray and DVD as part of the Cohen Film Collection, Corridor of Mirrors is worth visiting for fans of the era or the genre. …

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American Traitor: The Trial of Axis Sally

  • Title: American Traitor: The Trial of Axis Sally
  • IMDb: link

Feeling like a Made-for-TV movie that Al Pacino got suckered into, American Traitor: The Trial of Axis Sally offers a half-hearted attempt to examine the post World War II trial of Mildred Gillars (Meadow Williams), an American actress who worked for the Germans during the war broadcasting Nazi propaganda under different names including Axis Sally.

It’s easy to pick out the two scenes which peaked Pacino’s interest in his character, the lawyer assigned to defend Gillars in an American courtroom on eight counts of treason. It’s harder to find a reason for anyone else getting involved. Williams plays a character who things happen to and we’re left with no better picture of who Gillars was than when the story began. The film is weak in terms of courtroom drama, doesn’t have the time or interest for character study, and doesn’t take a stance of Gillars, leaving the film by writer/director Michael Polish dead on arrival. 

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Steel Dawn

  • Title: Steel Dawn
  • IMDb: link

Set in a post-apocalyptic future where water is the most precious resource, 1987’s Steel Dawn stars Patrick Swayze as a former soldier turned nameless traveler, credited only as “Nomad,” whose search for the killer (Christopher Neame) of his mentor (John Fujioka) leads him to a farm run by a widow (Lisa Niemi) under attack by a ruthless nearby landowner (Anthony Zerbe).

Steel Dawn offers your basic western plot (borrowing more than a little from Shane, complete with a young boy taking a shine to our hero) with a modest amount of sci-fi trappings featuring weird mutants in the desert wasteland and struggle over scant resources. Re-released on Blu-ray, the film is at most a curiosity for Swayze fans and holds little other actual value other than the extended fight between our hero and the assassin.

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