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Batman: The Long Halloween (Part Two)

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  • Title: Batman: The Long Halloween (Part Two)
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Batman: The Long Halloween (Part Two) DVD reviewBatman: The Long Halloween (Part Two) concludes the two-part adaptation of Jeph Loeb and Tim Sale‘s thirteen-issue maxi-series. Part Two races through the remainder of the story with more villains, more holidays, flashbacks to a young Bruce Wayne, the birth of Two-Face (Josh Duhamel), and (when it remembers to get around to it) the final unmasking of the Holiday killer. The adaptation takes a more definitive approach to Gilda (Julie Nathanson), playing off the heavy foreshadowing from Part One.

The movie jumps around a bit, and with so much focus on Bat-villains such as Poison Ivy (Katee Sackhoff) and Scarecrow (Robin Atkin Downes) who both put Batman out of action for a bit (seriously, Batman gets his ass handed to him quite a bit here), the actual Holiday mystery gets buried. The script also dives into a bit more of the mobster plot, and its ties to the Wayne family, along with the reveal of Catwoman‘s (Naya Rivera) interest in the Falcone family.

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Big Doll House

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  • Title: Big Doll House
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Big Doll House movie reviewThrowback Tuesday takes us back to 1971’s Big Doll House. Produced by B-movie legend Roger Corman, the film kicked-off a jungle subset of the women-in-prison genre starring Judith Brown, Roberta Collins, Pam Grier, Brooke Mills, Pat Woodell, and Gina Stuart as inmates in a prison of an unnamed tropical country run by an evil warden (Christiane Schmidtmer) and overseen by the Nazi-like torturer Lucien (Kathryn Loder). Collins, Grier, and Brown would all return for the similarly themed Women in Cages released the same year.

Pushing the boundaries of what was allowed in the loosened ratings of the time, the independent film follows the basic format of the exploitation genre putting the women in various compromising positions guaranteed to get their clothes off such as strip searches, group shower scenes, catfights (one even in mud), lesbian and bondage scenes, and torture. We also get a revolution and escape plot, which would become part of the sub-genre, culminating in the group’s attempt to escape the prison during the movie’s climax. Although not the main character, the film is notable for launching Grier’s career in this genre and blaxploitation films.

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Summer of Soul

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  • Title: Summer of Soul (…Or, When the Revolution Could Not Be Televised)
  • IMDb: link

Summer of Soul movie reviewIn the same summer as Woodstock, the Harlem Cultural Festival held a series of concerts to celebrate African American music and culture. The more than 40 hours of concert footage has been sitting around for decades and now can finally be seen.

Director Ahmir “Questlove” Thompson weaves the performances together with a cultural narrative and interviews from surviving performers and attendees. Along with the numerous great performances, Summer of Soul also captures the immense crowds present at the events only to see the concert be lost to time. Until now.

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Paddington

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  • Title: Paddington
  • IMDb: link

Paddington movie reviewThrowback Tuesday takes us back to 2014’s Paddington, written and directed by Paul King who succeeded in adapting Michael Bond’s character into one of the most complete, magical, and lovable family films of the 2000s. The term “family film” can often be a derogatory phrase for a movie that cuts corners, goes lowbrow, or oversimplifies in an attempt to hit an all-ages market. Paddington, not unlike classic Disney films, reminds us of what the genre can be.

The story follows a talking bear (a thoroughly believable CGI character voiced by Ben Whishaw) from Darkest Peru to London in hopes of finding a new family. Discovered at Paddington Station, the renamed Paddington is taken in the Brown family while more permanent accommodations are arranged. Despite the concerns of Mr. Brown (Hugh Bonneville) and the various trouble a bear gets into while trying to make sense of his new surroundings, he quickly wins over the rest of the family (Sally Hawkins, Madeleine Harris, and Samuel Joslin) providing enough time for the bear to search for the explorer (Tim Downie) who met his family decades ago and seems like the most viable suspect to give Paddinton an home.

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The Tomorrow War

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  • Title: The Tomorrow War
  • IMDb: link

The Tomorrow War movie reviewThe Tomorrow War, about soldiers from the future who arrive to draft earlier generations to fight a war against aliens who are wiping out humankind in the future, is a passable horror movie. The problem is it’s also a below average sci-fi film with aspects of a TV-movie thrown in for good measure. Director Chris McKay and writer Zach Dean struggle to make the various pieces fit into a coherent whole.

Any movie with Chris Pratt, who stars as a high school science teacher with delusions of grandeur, and Yvonne Strahovski, who stars as the future commander, starts out on pretty good footing. The film makes less use of the rest of the cast, which are mostly monster food or stuck in family drama subplots which, will of course, need to be resolved for our hero to learn his lesson.

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