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Finch

  • Title: Finch
  • IMDb: link

Tom Hanks stars as grumpy scientist Finch in a post-apocalyptic future where his only friend is a dog and the robots he builds to help him cope with the desolate landscape. The movie begins with the building of a new robot. Far more complex than the rover Finch has been using, the sentient Jeff (voiced by Caleb Landry Jones) is designed to take care of the dog once Finch is gone.

Boiled down, the movie is basically a road trip trying to stay ahead of a super storm likely to kill them. There’s also a thread of Jeff learning about humanity through Finch’s pessimistic eyes, and even the hard won friendship that eventually develops between the robot and the dog. Other than flashbacks, and very few of those, the film is devoid of other actors as Finch and his friends avoid other humans like the plague while hoping to reach San Francisco.

There are of course questions about the plot concerning the devastation that left the sky scorched, destroyed crops, and yet left roads and highways largely free of any blockages that could possibly interfere with Finch’s journey. And, of course, Finch always finds what he needs (even if that need is to build the most sophisticated robot the world has ever seen). The film’s look is consistent, if far from the most interesting post-apocalyptic world rendered on film.

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Free Guy

  • Title: Free Guy
  • IMDb: link

While you could certainly turn down some of the Deapool-esqe winking at the audience, and the plot is certainly not breaking the mold on the type of story we’ve seen done before, Free Guy is easily one of most fun movies of 2021. Ryan Reynolds stars as a non-player character in the world’s most popular video game who breaks outside of his programing and starts to become more than he was designed to be. What makes things work is Blue Shirt Guy, or simply Guy, is immensely likable. He’s just a good guy whose head has been turned by a beautiful girl (Jodie Comer) and begins making changes to his life that effect both the video game world and the perception of it in the real world.

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River’s End

  • Title: River’s End: California’s Latest Water War
  • IMDb: link

Using California, specifically Southern California’s heavy irrigation and consumption of water pumped in from Northern California and elsewhere, director Jacob Morrison examines a growing water crisis involving far too many players fighting over far too scarce a resource.

At the heart of the film is the Sacramento–San Joaquin River Delta which provides water to much of the state including Los Angeles, San Francisco, and one of the largest (and most profitable) corporate industrial agricultural businesses in the world. The Delta also provides water to its existing area, including farms and an increasingly fragile ecosystem feeling the effects of decades of too much water being taken out of the Delta. The documentary offers examples of the ecological disaster of Lake Erie and the destruction of the Owens Valley as potential futures for the Delta unless changes are made.

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Come from Away

  • Title: Come from Away
  • IMDb: link

“We honor what was lost, but we also commemorate what we found.”

Twenty years after 9/11 and 14 months into the COVID shutdown, Broadway reopens for a performance of Come from Away featuring many of the original Broadway performers for a live recording on the musical about 7,000 strangers from all over the world stranded in the small town of Gander for five days. While originally planned to be a more traditional film, with scenes filmed in Newfoundland, the live performance of the first returning Broadway show brings its own kind of magic that is wonderful to watch unfold.

Based on true events, the Canadian musical by Irene Sankoff and David Hein offers plenty of both laughter and tears over its 106-minute running time featuring a small cast playing multiple roles of both the shaken visitors and incredibly hospitable locals. And director Christopher Ashley knows just how to frame each sequence, giving us the best seat in the house. 

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Corridor of Mirrors

  • Title: Corridor of Mirrors
  • IMDb: link

The film debut of both director Terrence Young (From Russia with Love, Thunderball) and actor Christopher Lee (albeit in a minor role), 1948’s Corridor of Mirrors is an atmospheric thriller involving an eccentric bachelor (Eric Portman) who falls in love with a young woman (Edana Romney) who eerily resembles a Renaissance painting he keeps in his home. Their relationship mostly involves Mangin (Portman) dressing Mifanwy (Romney) in a variety of dresses and jewelry that fit her perfectly. As she struggles against his control, and the warnings of an older woman (Barbara Mullen) in the house suggesting dangerous ulterior motives in Mangin’s actions, their relationship ends disastrously, and, years later, tragically.

Although it may feel a bit dated in places, the tone and tension of the story hold up well as does Young’s direction and the cinematography of André Thomas. Re-released on Blu-ray and DVD as part of the Cohen Film Collection, Corridor of Mirrors is worth visiting for fans of the era or the genre. …

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