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That Harley Quinn Birds of Prey Movie

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  • Title: Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn
  • IMDb: link

Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn Blu-ray reviewI had much the same reaction to Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn as to Suicide Squad. There’s low-rent fun to be had here in this crass tale of Harley Quinn (Margot Robbie) striking out on her own after leaving the Joker. Robbie reprises her role from Suicide Squad, but is forced to carry much more of the story this time around. The script makes Harley the film’s narrator, often telling events out of order or forgetting key points. The idea is fun for a few minutes, but this isn’t Rashomon or Memento. It’s a B-movie with delusions of grandeur.

On the bad side of mob boss Black Mask (Ewan McGregor), and no longer under the Joker’s protection, Harley finds herself working off a debt by tracking down a young street thief (Ella Jay Basco) in possession of a diamond far more valuable than anyone realizes. She’s also got to stay one-step ahead of Renee Montoya (Rosie Perez), the film’s cliched one good cop in the city.

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The Invisible Man

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  • Title: The Invisible Man
  • IMDb: link

The Invisible Man Blu-ray reviewThere have been several versions of The Invisible Man over the years. The latest, from writer/director Leigh Whannell puts the focus on the victim of the title character rather than the Invisible Man himself offering a thriller about an abusive husband using advanced technology to gaslight the wife who has left him. Elisabeth Moss stars here as the terrified woman who even those closest to her believe is going insane.

When the film stays grounded (as grounded as a film about an invisible man driving his wife mad can be) it succeeds, leaving both Moss and the audience to question where the Invisible Man is in every scene (or if he’s even there at all). I think The Invisible Man would have made an excellent short film. As a feature, Whannell struggles to keep the suspense in place as the film gets increasingly goofy when our antagonist ups his game. The film’s unimaginative boilerplate ending also left me cold.

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Fantasy Island

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  • Title: Blumhouse’s Fantasy Island
  • IMDb: link

Fantasy Island reviewI’ll give some credit to Blumhouse’s Fantasy Island which kept me engaged longer than I expected. The film adapts the 70s television series of the same name into a modern horror film. Like on the show, guests are invited to the island to experience their deepest fantasies, only on this island there’s something far darker lurking under the surface.

The guests who Mr. Roarke (Michael Peña) invites to the island include a woman (Lucy Hale) craving revenge on a childhood bully (Portia Doubleday), a pair of step-brothers (Ryan Hansen and Jimmy O. Yang) looking to live the rich life, a cop (Austin Stowell) who wants to be a soldier, and Maggie Q as a woman looking to rectify her biggest regret.

While far from great, the first-two thirds of the film in which the guests arrive, begin their fantasies, and then see them take dark turns, kept my interest. Then comes the film’s first big twist which awkwardly reestablishes the guests’ connection to each other causing events to start spiraling out of control.

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Jumanji: The Next Level

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  • Title: Jumanji: The Next Level
  • IMDb: link

Jumanji: The Next Level Blu-ray reviewJumanji: The Next Level brings back the cast of 2017’s Jumanji: Welcome to the Jungle for another trip into the video game version of Jumanji as Spencer’s (Alex Wolff) friends follow when the isolated college Freshman goes looking for something familiar. This time around, however, the players are all in different avatars and two of the players have been replaced by Spencer’s grandfather (Danny DeVito) and his former business partner (Danny Glover).

I wasn’t all that impressed with the 2017 film which was fun at times but also lazy and largely forgettable, and The Next Level offers more of the same: Dwayne “The Rock” Johnson smoldering, characters hashing out their issues while running for their lives, and Karen Gillan running around the jungle in short-shorts. The addition of the older players does offer some new dynamics (along with quite a few easy old people don’t understand technology jokes), and having none of the players in the avatars they expected is one of the sequel’s best choices.

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Long Gone Summer

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  • Title: Long Gone Summer
  • wiki: link

Long Gone Summer reviewDirector AJ Schnack‘s examination of the historic home-run chase during 1998 Major League Baseball season is a solid documentary in covering the bases of what occurred, even if it fails for too much of its running time to fully capture the magic of the moment or find a way to better frame events following the exposure of rampant steroid use in baseball (which it saves for a lengthy epilogue).

Scheduled to air Sunday night as part of ESPN’s 30 for 30, the film includes interviews with both Mark McGwire and Sammy Sosa along with plenty of video from 1998 season and interviews from the likes of Bob Costas, Tony La Russa, Kerry Wood, and others. It also, oddly, spends quite a bit of time on Ken Griffey, Jr., who ended the year well off the pace McGwire and Sosa set, while barely mentioning Barry Bonds breaking the record again just a few years later.

Long Gone Summer is informative at times, especially in delving into the friendship born of rivalry between the two players. However, nothing presented here is likely to change your opinion one way or the other about the legitimacy of current baseball records.

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