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Sleuth (Redux)

“I heard a rumor you wanted to marry my wife.”

In 1972 Michael Caine starred as Milo Tindle, a young man forced into a deadly game of wits when he meets his lover’s husband (Laurence Olivier).  Sleuth remains a favorite of many fans of Caine, and ranks among IMDb’s top 250 films.  This remake does not.

Last year director Kenneth Branagh decided to remake the film enlisting Caine to play the older role this time and casting Jude Law as the new Milo.  The result is a curiosity and although it may be of interest to film students or as a comparison to the original, there’s little to recommend this version on its own merits.

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Akira

Now here is a classic anime, Akira.  This one is a little older than I like to review, but I figured it was a good time to throw it out there.  If you haven’t heard, they are coming out with a new live action Akira, hopefully they will improve a few things.

This is post World War III, 30 years later to be exact, in Tokyo.  Tokyo was destroyed in the war and Neo-Tokyo was built on the remnants of the old city.  Don’t start thinking this is a paradise, no way, the city is riddled with gangs, crime and shady political characters in office [what’s new about that?].

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Soaring Through the New Frontier

  • Title: Justice League: The New Frontier
  • IMDb: link

“We need our heroes to stand up and show us what this country is supposed to mean.”

Although I’m a huge fan of the Justice League animated series I wasn’t too thrilled with their first big feature film Superman: Doomsday (read that review).  On hearing their next project would be an adaptation of Darwyn Cooke’s DC: The New Frontier, I was a tad skeptical about what the finished project might look like.  I shouldn’t have worried; this time they get it just right.

Set i the 1950’s, an age of distrust and the height of McCarthyism, the film opens with the end of the Korean War and test pilot Hal Jordan (David Boreanaz) ill-fated final mission.  It’s appropriate the film (not counting the pre-credit sequence) opens with Jordan, because he more than any other character is asked to carry the film.

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Hoosiers

  • Title: Hoosiers
  • IMDb: link

“Welcome to Indiana basketball.”
 

Hoosiers DVD review

Loosely based on the true experiences of Milan High School’s basketball team’s championship in 1954 the film tells the story of Coach Norman Dale (Gene Hackman) who lost his last head coaching job due to his temper and a violent outburst directed at one of his players.  Now considered untouchable Dale is given the opportunity by an old friend (Sheb Wooley) to coach a small high school in Indiana with barely enough players to field a team.

What Hickory, Indiana does have however is a vocal local fanbase of knowledgeable basketball fans who aren’t too keen on the new coach or his system of team ball.  Earlier on the coach spends more time deflecting, and ignoring, their unsolicited advice than actually coaching.

With support of the town’s best player (Maris Valainis) and the knowledge of an alcoholic assistant coach (Dennis Hopper), Coach Dale manages to keep his job long enough to start winning some games and make a run at the state championship.

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Love & Basketball

Love & Basketball mixes sports and love by following two friends through their lives on the court and with each other.  It’s not a great film, but it is the type of film that bridges the gap and provides a sports flick which couples can enjoy together.

Love & Basketball
Custom Rating

“It’s a trip, you know.  When you’re a kid you see the life you want, and it never crosses your mind that it’s not gonna turn out that way.”

Love & Basketball follows the lives of two children (Kyla Pratt, Glenndon Chatman) who grow-up to be best friends and share a love for the game of basketball.  As they reach maturity Quincy (Omar Epps) struggles with the stress to reach the NBA and prove himself as a better man than his womanizing father (Dennis Haysbert).  Monica (Sanaa Lathan) struggles through playing college ball to near empty auditoriums before graduating and moving overseas to follow her dreams.

One of the film’s strengths is the dichotomy it shows between the men and women’s game and the perception and reality of each.  Quincy, a second-generation player is courted and recruited to play for sell-out arenas and Monica struggles to make a name for herself in a game with a far smaller following, all the while fighting expectations of those, including her mother (Alfre Woodard), who just want her to leave her aggression and the game behind and grow into a successful and demure young woman off the court.

Whether she’s a better actress or just given the better role Lathan’s half of the movie seems to have more resonance than Epp’s storyline.  Perhaps it’s her constant struggle not just with her circumstances and the expectations of others, but the expectations of herself which help round her into a more interesting character.

Of course the film is also cursed with cliches from two genres – sports dramas and romantic comedies.  The film weathers most of these scenes pretty well, even the awkward other love interests the story throws in from time to time, and an ending which is a little too weak (and far too cute) for the rest of the film and includes a short speech which is guaranteed to get squeals from the women and earn equally loud groans from the men.  Some things are too corny, even for film.

I wouldn’t argue that Love & Basketball is a great sports film, but it’s far better than the insipid chick flick I expected going in to view it for the first time.  It has both heart and brains, and tells a compelling story of two people (though Monica’s story is the more interesting) struggling to live their dreams, make their careers, and find love.

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