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Fuck Marry Kill

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  • Title: Fuck Marry Kill
  • IMDb: link

I really do root for Lucy Hale, but she doesn’t make it easy. Fuck Marry Kill is a middling romantic comedy spliced together with a below-average thriller that leaves everyone unsatisfied. Hale stars as 30 year-old Eva who jumps back in to the dating scene after the end of a long relationship (with a doofus we can’t possibly see her spending 8 minutes with let alone 8 years) just as a serial killer is targeting young women from dating apps. While the killer is discussed early on, most of the first-half of the film follows Eva meeting three bachelors and discovering she’s walked into the classic Fuck, Marry, Kill scenario with her friends (Virginia Gardner, Bethany Brown, and JayR) and sister (Brooke Nevin) all having differing opinions on who she should end up with.

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The Lady Vanishes

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  • Title: The Lady Vanishes
  • IMDb: link

Alfred Hitchcock‘s 1938 thriller follows English tourist Iris Henderson (Margaret Lockwood), one of several tralevers temporarily stranded in Bandrika, home via train. Priot to boarding the train Iris recieves a head injury but is looked after by an eldery English woman who she befriended the previous night. However, after the effects of her head injury subside she is unable to find Mrs. Froy (May Whitty) or anyone onboard the train who remembers seeing her. Convinced something odd is going on, and finding no other help avaiable, she accepts the help of the obnoxious Gilbert Redman (Michael Redgrave) who she had a run-in at the hotel.

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Spies Like Us

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  • Title: Spies Like Us
  • IMDb: link

Released 40 years ago, Spies Like Us stars Chevy Chase and Dan Aykroyd as a pair of governmental screw-ups turned would-be spies. Needing decoys for a top secret project, the Defense Intelligence Agency rush the pair through training and thrown into the field with the belief that they will take focus off the real team deployed into the Soviet Union (with the mission to fire a ICBM at the United States). Of course the running gag of the movie is that the pair manage to somehow keep getting out of trouble and by the end the fate of the entire world will rest in their hands.

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The Aristocats

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  • Title: The Aristocats
  • IMDb: link

Originally released in 1970, I first saw The Aristocats during one of its re-releases in theaters. The last film to be personally approved by Walt Disney, the last film to be released during co-founder Roy O. Disney‘s tenure as CEO, and notably worked on by five of Disney’s core animators, the film is an interesting mix of classic Disney animation with splashes of French styling and jazz thrown into the mix as well. Much like Disney’s next feature Robin Hood, released three years later, you can feel a change in the studio’s continued direction away (at least temporarily) from the classic princess films that built so much of the magic kingdom.

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The Thursday Murder Club

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  • Title: The Thursday Murder Club
  • IMDb: link

Adapted from the novel of the same name, The Thursday Murder Club is more notable for its setting (an outrageously opulent retirement home) and for its cast than its mystery. Through newcomer Joyce (Celia Imrie) we’re introduced to Cooper Chase and a group of retirees who spend their time solving old cold cases. Calling themselves the Thursday Murder Club, Joyce is invited to join Elizabeth (Helen Mirren), Ron (Pierce Brosnan), and Ibraim (Ben Kingsley) first offering her medical expertise on the group’s latest unsolved case and later the current death of the property manager which, thanks to coincidence of the most outlandish degree, will be linked together before all is said and done. 

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