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You Shouldn’t Have Let Me In

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  • Title: You Shouldn’t Have Let Me In
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You Shouldn't Have Let Me In

Joining the their friend Rochelle (Isabella Egizi), a social media influencer bride, in Italy, Kelsey (Diana Gardner) and Blake (Nathaniel Ansbach) find themselves drawn into the world of a vampire (Fabián Castro) in whose house the bachelorette weekend is taking place. Drawn to Kelsey because she reminds him of his lost love, Victor (Castro) begins gaslighting the other women and seducing Kelsey while Blake, your typical gay best friend, is recruited by a cute local (Riccardo Angelini) to help stop the vampire.

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Abbott and Costello Meet Frankenstein

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  • Title: Abbott and Costello Meet Frankenstein
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Abbott and Costello Meet Frankenstein

Scary Sunday takes us back to an unlikely meeting of Hollywood stars. Hoping to use the studio’s most popular stars to rekindle interest in their monster properties, Universal brought the comedic duo into the world of Dracula (Béla Lugosi), Frankenstein’s Monster (Glenn Strange), and the Wolf Man (Lon Chaney Jr.) bringing back the actors who had made the monsters popular. Despite concerns about the script from everyone involved, and the less than cordial relationship between Abbot and Costello, the film became one of Universal’s biggest hits leading to further misadventures of the duo with the Universal Monsters.

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Van Helsing

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  • Title: Van Helsing
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Van Helsing

Spooky Saturday takes a look back at a film that was decidedly not. Tom Cruise‘s The Mummy wasn’t the only film to kill a revival of Universal Pictures’ monsters before it ever got started. 13 years earlier that honor went to Hugh Jackman, Kate Beckinsale, and Van Helsing. While a financial success, the negative response to the film killed any similar future projects for more than a decade.

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Phantasm

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  • Title: Phantasm
  • IMDb: link

Phantasm

1979’s Phantasm is an usual film. Self-financed and relying on amateurs and those just getting a start in the business, the horror flick is arguably more professional than many independent movies produced today. Credit to writer/director Don Coscarelli who manages to hide the deficiencies of the talent on-screen with its unusual look and feel limiting what was needed from a performance standpoint as much as possible. As with any low-budget horror movie, the acting is often a sore spot, but even with its rough edges the film is still more inventive and memorable than many studio productions.

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