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Rush Hour 3

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  • Title: Rush Hour 3
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Rush Hour 3

To date the last of the Rush Hour films, Rush Hour 3 is the weakest (by far). Every aspect of the film feels tired, pulling lesser versions of villains from both the first two films, and throwing Lee (Jackie Chan) and Carter (Chris Tucker) together ending up in Paris. We get the the abduction of Soo Yung (Jingchu Zhang) like in the first film, the evil philanthropist (Max Von Sydow) in plain sight like the first film, a villain (Hiroyuki Sanada) tied to Lee’s past like in the second film, and bigger stunts, goofy sequences (including Carter’s groanworthy fight sequence in a dojo and the molestation by French cops) and exotic locales in an attempt to hide the script’s many, many problems.

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Rush Hour 2

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  • Title: Rush Hour 2
  • IMDb: link

Rush Hour

Released three-years after the first film, Rush Hour 2 gives us Lee (Jackie Chan) and the vacationing Carter (Chris Tucker) in Hong Kong to open the film before the pair return to Los Angeles and ultimately end up in Las Vegas tackling a case connected to the Chinese Triad and the former partner (John Lone) of Lee’s father who framed him for his own crimes and murdered him.

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City Hunter

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  • Title: City Hunter (2024)
  • IMDb: link

City Hunter

Certainly less wacky than the 1993 adaptation of the manga of the same name, but still very much over-the-top, the new City Hunter still plays up the womanizing of private investigator Ryo Saeba (Ryohei Suzuki) and his unlikely partnership with the younger sister (Misato Morita) of his dead partner (Masanobu Andô) who is determined to help him discover the reason behind her brother’s murder and the number of odd occurrences around the city which is traced back to a drug manufactured and tested in secret on the homeless including the cat girl and cosplayer (Asuka Hanamura) Ryo was hired to find.

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Power

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  • Title: Power
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Power

Director Yance Ford‘s documentary examines the history and historical impact the rise of police power has had in the United States. While not all of the various threads work equally well, the film does a solid job in explaining the genesis of police in terms of methods of stability and control of the status quo which have almost always been at odds with the needs of the disenfranchised. The film pulls in interviews from several authors and experts on the subject, including spending time on the job with an African-American police officer, as well as making us of various archival footage.

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Rush Hour

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  • Title: Rush Hour
  • IMDb: link

Rush Hour

The late 90s and early 2000s were the time for Hollywood to pair up Jackie Chan with a more comedic American co-star. Rush Hour gave us Chan as Chief Inspector Lee who is brought to the United States by Ambassador Han (Tzi Ma) after his daughter (Julia Hsu) is kidnapped. The FBI, not wanting Lee to get in the way, enlist mouthy LAPD Detective James Carter (Chris Tucker) to babysit Lee and keep him out of the investigation. That doesn’t go well with neither happy about their limited role in the investigation.

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