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No Sudden Move

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  • Title: No Sudden Move
  • IMDb: link

Director Steven Soderbergh brings together an ensemble cast for 50s crime thriller and heist gone wrong. Don Cheadle and Benicio Del Toro star as two members of a criminal trio, along with Kieran Culkin, hired to hold the family of an accountant (David Harbour) hostage while forcing him to steal propriety information from his company’s office. After a number of double-crosses and mistakes, the pair must figure out a way to work together to make something out of a bad situation.

No Sudden Move features a number of characters, from the middle man who hired the thugs (Brendan Fraser) to the accountant’s mistress (Julia Fox), to a police detective (Jon Hamm) investigating the crime, to a local gangster (Ray Liotta) neither of our protagonists trust, who will all work themselves into an important moment of the film’s overall plot.

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Survivor Series 2021

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  • Title: Survivor Series 2021
  • wiki: link

One of WWE’s longest running PPV events, the 2021 edition of the Survivor Series included only a two traditional Survivor Series elimination matches, both won by Team Raw for “brand supremacy.” One of the challenges with the concept, is you end up with series of standalone matches that didn’t fit into existing storylines on either show for a one-night brand vs. brand event. While the structure of the elimination tag forcing enemies to work together for one night allows for some different stories, if you don’t have those kind of matches the night falls mostly flat.

The entire event was overshadowed by a celebration of The Rock, who doesn’t even show up despite the glut of video packages and mentions, and a bizarre tie-in to the former Superstar’s new movie on Netflix involving the theft of a golden egg backstage. There’s also a soul-crushingly long Battle Royale putting over the least athletic Superstar on the roster while honoring The Rock… and was also promoted by Pizza Hut? God help us. 

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Cry Macho

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  • Title: Cry Macho
  • IMDb: link

Clint Eastwood, who also directs, stars as an old cowboy sent to find the son (Eduardo Minett) of a rancher (Dwight Yoakam) in Mexico and bring him to the United States. Cry Macho is a slow-paced stalled road trip movie with Mike (Eastwood) and Rafo (Minett) getting stuck in a Mexican town for most of the film while hiding from authorities and the boy’s mother (Fernanda Urrejola) who doesn’t want him to leave Mexico.

Knocking around Hollywood for the better part of 50 years, the script offers some minimal commentary on machismo while the title of the movie comes from Rafo’s prize cock-fighting rooster. The story unfolds as expected with no stand-out scenes or surprises. Of course, Mike keeps a secret from Rafo leading to inevitable conflict in the final act before Cry Macho eventually limps to the finish line. It’s not a bad film, but there’s little of interest other than some nice cinematography of Mexico.

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The Eyes of Tammy Faye

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  • Title: The Eyes of Tammy Faye
  • IMDb: link

We get the rise and fall of Tammy Faye (Jessica Chastain) and Jim Bakker (Andrew Garfield) in this examination of the televangelist couple. While recreating moments of the pair’s life, there’s no real point or perspective offered to the events. The Eyes of Tammy Faye isn’t a character study. It isn’t commentary of events. Nor is it a satire.

The film is simply a shallow collection of events that never digs beneath the surface to provide anything of much interest. While we see the odd pair begin their their time as televangelists, the movie isn’t concerned with the rise of the PTL Satellite Network nor the good or ills of the The PTL Club, nor really the fall of grace of the Bakker’s which makes up only a small percentage of the film.

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The Hand of God

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  • Title: È stata la mano di Dio
  • IMDb: link

Filippo Scotti stars as the aimless Fabietto in 80s Naples in this coming of age story from Paolo Sorrentino. We’re introduced to Fabietto’s extended dysfunctional family including his womanizing father (Toni Servillo), prankster mother (Teresa Saponangelo), older brother with dreams of becoming an actor (Marlon Joubert), and lascivious aunt (Luisa Ranieri). The film is beautifully shot by Daria D’Antonio framing our stumbling protagonist disconnected from the world long before tragedy strikes upending his life even more.

Sorrentino doesn’t seem to have a destination for Fabietto in mind. Although he grows over the course of the film taking interest in more than football, it’s hard to tell how much he’s actually learned. The untethered protagonist means the film seems aimless as well, even if that’s the point as Fabietto finally discovers he can no longer allow life to pass him by and must start making hard choices.

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