Movie Reviews

The Danish Girl

/ / Movie Reviews
  • Title: The Danish Girl
  • IMDb: link

The Danish GirlAdapted from the novel of the same name by David Ebershoff, The Danish Girl is a movie that is constantly telling the audience it is an important movie without ever showing us why. The movie gives us the story of artist husband and wife Einar Wegener (Eddie Redmayne) and Gerda Wegener (Alicia Vikander) and Einar’s struggle with his own sexual identity leading him to take on the identity of Lili Elbe.

The movie tackles the issues of Lili’s sexual identity head-on while examining the effect of his changes on both his relationship with his wife and his artistic career. First, Vikander and Redmayne are both terrific in the film. However, aside from giving the leads meaty roles to dive into, The Danish Girl struggles in making the story of one of the first recipients of sex reassignment surgery interesting.

Don’t get me wrong, The Danish Girl a capable film that does justice to its sensitive subject matter, given Elbe’s standing in the LGBT community, but it’s certainly more notable for the performances of its two lead actors than its script. One could argue it’s dangerously close to the category of Oscar-bait.

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Joy

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  • Title: Joy
  • IMDb: link

JoyWritten and directed by David O. Russell, Joy gives us the story of a New York single mother and her miraculous invention that changed her life. Jennifer Lawrence stars as the title character Joy Mangano in a role that allows her to showcase far more of her talents than the Hunger Games franchise. The movie is completely built around Lawrence’s performance, and on her back it succeeds.

Fighting through every obstacle including her family (Robert De Niro, Édgar Ramírez, Virginia Madsen, Elisabeth Röhm), frustration, fear, money troubles, and those who attempted to steal her invention from her, Joy is a story of perseverance, determination, and conviction. If there’s a moral to Joy it’s that you have to fight for your dreams every step of the way.

Joy isn’t without its flaws, there are large parts of the story the script skips over (such as Joy’s jump to QVC’s main competitor HSN and the reasons behind it). There are also some notable odd editing and sound mixing issues, the most prominent of which takes place during pretty awful dubbing of Joy’s duet with her husband (Ramírez).

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Carol

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  • Title: Carol
  • IMDb: link

CarolMuch like Brooklyn, Carol is a beautifully rendered period piece about a young woman’s awakening highlighted by the performance of its lead actress. Sadly, much like Brooklyn, Carol also has the same deficiencies and the performances overshadow, but don’t obscure, the script’s weaknesses.

Although she plays the title character in the film, Cate Blanchett is not Carol‘s leading lady. That honor goes to Rooney Mara as shopgirl and aspiring photographer Therese Belivet whose head is turned by the glamorous older woman who she immediately connects with in a ways she has never been able to with her longtime boyfriend (Jake Lacy).

I’m not sure if Therese is a lesbian, bisexual, or just sexually curious, but then again I’m not the only one as the script itself seems unsure about who its leading character is and what she wants. Because Therese doesn’t know who she is (something characters in Phyllis Nagy‘s script directly point out at least three separate times) the movie struggles to understand her true motivations. And if the movie doesn’t know who she is, how can we?

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The Big Short

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  • Title: The Big Short
  • IMDb: link

The Big ShortBased on the non-fiction book of the same name by Michael Lewis, The Big Short chronicles a small group of individuals who made money betting against the housing market after recognizing a basic flaw in the mortgage system that would inevitably cause the bubble to eventually burst.

Director Adam McKay assembles an ensemble cast (Christian Bale, Ryan Gosling, Jeremy Strong, John Magaro, Finn Wittrock, and Brad Pitt) led by Steve Carell of those whose discovery of an amazing level of fraud in the housing market allowed them the opportunity to forecast the upcoming financial turmoil that those in the industry did their best to hide even after it became obvious what was going on. Our characters are neither heroes nor villains, just those amazed at the level of incompetence and deception perpetrated on the American public which they find a way to take financial advantage of by betting against those obscene loans ever being paid off.

The story is both fascinating and nauseating as it becomes clear to not only our characters but also the audience the insanity mortgage lenders and brokers were getting away with.

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Star Wars: The Force Awakens

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  • Title: Star Wars: The Force Awakens
  • IMDb: link

Star Wars: The Force AwakensIt is a dark time for the Rebellion (even if they aren’t called the Rebellion anymore). The rise of a military force known as the First Order, built on the wreckage of the old Empire, is making the galaxy a very dangerous place for everyone’s favorite galactic heroes in a galaxy far, far away.

After waiting 32 years to see Luke Skywalker‘s (Mark Hamill) name appear in a Star Wars crawl the wait is finally over. Since 1983 we’ve gotten several different Star Wars cartoons, three (much maligned) prequels, an endless steam of merchandise, countless comic books and novels, and the sell of the franchise by George Lucas to Disney. The Force Awakens marks the first big project not overseen by Lucas with a storyline that diverges largely from the Star Wars Expanded Universe while playing on similar themes longtime fans are sure to recognize. Returning to what made the original trilogy so successful, director J.J. Abrams offers us a practical lived-in galaxy strewn with the wreckage of the Empire’s epic battles with the Rebellion.

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