Movie Reviews

Inside Llewyn Davis

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  • Title: Inside Llewyn Davis
  • IMDB: link

Inside Llewyn DavisOver the years the Coen Brothers have used setting, music, and tone to tell a variety of tales. Lacking the broad comedic strokes of Burn After Reading or the darker undertones of No Country for Old Men and their True Grit remake, the brothers’ latest is a more straightforward and personal character study of life of a struggling artist. Thinking over their filmography you can say the Coens have produced funnier, stranger, more disturbing, and perhaps even more memorable films, but this immersive drama ranks as one of their best.

Set primarily in the Greenwich Village folk music scene of 1961, Inside Llewyn Davis follows the life of Llewyn Davis (Oscar Isaac), a known and liked (or at least tolerated) folk singer in his small circle and a real son of a bitch to nearly ever single person he knows. Over the film’s 105-minute running-time we witness Davis nomadically travel with his guitar, a carton of unsold records, and a friend’s cat as his only prized possessions.

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Saving Mr. Banks

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  • Title: Saving Mr. Banks
  • IMDB: link

Saving Mr. BanksWritten by Kelly Marcel and Sue Smith, and based off pieces of the life of P.L. Travers (Emma Thompson), Saving Mr. Banks is half of a really good film. The story is broken into flashbacks of Travers’ childhood and decades later when Walt Disney (Tom Hanks) was attempting to buy the rights from the author’s children’s books to make Mary Poppins.

Although there is much to enjoy in the later Disney years (despite the oversimplification of Travers’ stubbornness) the film gets bogged down in the weight of the constant flashbacks which may offer a peek at the real story that first created Mary Poppins on the page but ignores much of the life story of the woman who wrote her.

The scenes involving the young Travers’ () drunken but imaginative father (Colin Farrell), troubled mother (Ruth Wilson), and larger-than-life aunt (Rachel Griffiths) fall in the realm of Dinsey-ized melancholy, but the scenes in California between the equally stubborn Disney and Travers provide its magic.

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American Hustle

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  • Title: American Hustle
  • IMDB: link

American HustleFor this 70’s tale of con men (Christian Bale and Amy Adams) in over their heads writer/director David O. Russell reunites with Silver Linings Playbook stars Bradley Cooper and Jennifer Lawrence. Part character study, part insane and over-the-top adventure, American Hustle offers audiences one of the year’s best films.

After a brief introduction to Irving Rosenfeld (Bale) and his mistress and co-conspirator Sydney (Adams), the pair are busted by up-and-coming FBI hot-head Richie DiMaso (Cooper) who decides to use the pair to pull in even bigger fish. Regardless of danger or consequences, and against the orders of his boss (Louis C.K.), DiMaso pushes Irving and Sydney into going after both the mob and local politicians, beginning with Mayor Carmine Polito (Jeremy Renner) who is interested in rebuilding Atlantic City.

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Anchorman 2: The Legend Falters

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  • Title: Anchorman 2: The Legend Continues
  • IMDB: link

Anchorman 2: The Legend ContinuesThis sequel, like milk, was a bad choice. Nine years in the making, Anchorman 2: The Legend Continues feels every bit like a hastily slapped together cash grab whose every bright spot comes directly from jokes referenced or reused from Anchorman: The Legend of Ron Burgundy. Most forget that the first film wasn’t a box office hit and only found success on home video and cable. The far inferior sequel will send droves into the theaters only to learn they never need to see it a second time. Some sequels are bad enough to make you reconsider your feelings about the original. This is that kind of movie.

Picking up the story of anchorman Ron Burgandy (Will Ferrell) a few years after the first film, Ron splits from his wife (Christina Applegate) and young son to go on the first of two boring personal journeys before reuniting the news team for new jobs at a 24-hour news network. Despite bringing back Steve Carell, Paul Rudd, and David Koechner the sequel only offers Carell his own subplot with a secretary (Kristen Wiig) every bit as mentally challenged as Brick.

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The Desolation of Smaug

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  • Title: The Hobbit: The Desolation of Smaug
  • IMDB: link

The Desolation of SmaugThe quest of Bilbo Baggins (Martin Freeman), Gandalf (Ian McKellen), Thorin Oakenshield (Richard Armitage) and his dwarves to reclaim the lost kingdom of Erebor under the Lonely Mountain continues in The Hobbit: The Desolation of Smaug. Captured by elves, attacked by orcs, and journeying into the depths of the lost kingdom, the sequel is more successful than The Hobbit: An Unexpected Journey but still suffers from director Peter Jackson taking his damn sweet time with unnecessary subplots and a host of new characters to introduce.

Of all the new faces in the second of three films needed to adapt a 300-page children’s book, Evangeline Lilly stands out. In Tauriel we finally get a prominent female elf who is more warrior than ethereal plot device (Cate Blanchett, Liv Tyler). The plot thread of Tauriel forced to balance here duty to her king (Lee Pace) and Legolas (Orlando Bloom) against her unexpected feelings for a dwarf (Aidan Turner) is one of the film’s most-successful storylines.

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