Movie Reviews

Anna Karenina

/ / Movie Reviews
  • Title: Anna Karenina
  • IMDb: link

“Sin has a price, you can be sure of that.”

anna-karenina-posterAttempting another historical adaptation of classic literature, while re-teaming with leading lady Keira Knightley (with whom he collaborated on both Pride & Prejudice and Atonement), director Joe Wright delivers the unexpected with an evocative and dazzling adaptation of Leo Tolstoy‘s legendary novel Anna Karenina.

Limited by budgetary considerations and an unwillingness to repurpose locations other adaptations of Tolstoy’s work, or those used by various recent historical dramas, Wright hit upon an extraordinary idea to breathe new life in the staid genre by staging a setting that transforms around its characters. The result is a game changer in how movies like Anna Karenina are told and a serious contender for the best film of 2012.

Set in Russia during the late 19th Century our story concerns rich socialite Anna Karenina (Knightley), her marriage to an honorable but bland government official (Jude Law), and her temptation and eventual affair with the far more dashing Count Vronsky (Aaron Taylor-Johnson).

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Here’s a little rant about Jack & Diane

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  • Title: Jack & Diane
  • IMDB: link

jack-and-diane-posterJack & Diane, sadly unrelated to John Mellencamp’s 1982 hit, is a regrettable piece of filmmaking. It’s regrettable that writer/director Bradley Rust Gray wasted four years trying to get the film made. It’s regrettable that young actresses Juno Temple and Riley Keough are wasted in thankless roles. And it’s regrettable for anyone who has to sit through what is arguably the worst film released in theaters this year.

The story centers around teenagers Diane (Temple) and Jack (Keough) who meet and share a rather tepid and unremarkable romance over the course of a summer. Gray intersperses the emotional and sexual aspects of their relationship with horror imagery meant to underlie the animalistic nature of their attraction (which we see little evidence of on-screen).

Gray’s metaphor is ill-defined and sophomoric at best. The only positive to the various scenes involving monsters, growing hair, and various pulsating internal organs is a welcome relief from the relative boredom of the rest of the movie.

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Dancing, Crazy People, and the Philadelphia Eagles

/ / Movie Reviews
  • Title: Silver Linings Playbook
  • IMDB: link

silver-linings-playbook-posterWith his latest movie, Silver Linings Playbook, writer/director David O. Russell (The Fighter, Three Kings) delivers his most mainstream film to date in this adaptation of Matthew Quick‘s novel of the same name about a teacher (Bradley Cooper) who moves back in with his parents (Robert De Niro, Jacki Weaver) after spending eight months in a mental institution. At times I think Russell can get too cute for his own good (see I Heart Huckabees), but Silver Linings provides the director the kind of manic characters he enjoys while still forcing him draw within the lines. The result is one of the year’s best films.

Our story begins with the release of Pat (Cooper) from his stint in the loony bin after brutally assaulting a fellow teacher who he discovers sleeping with his wife (Brea Bee). Armed with medication he refuses to take and an optimistic attitude of winning back his wife (despite being still haunted by her infidelity), putting his life back together, and looking for the silver lining in every bad situation, Pat begins his slow (and rocky) road to recovery.

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Life of Pi

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  • Title: Life of Pi
  • IMDB: link

life-of-pi-posterBased on the bestselling novel by Yann Martel, Life of Pi is the tale of an impossible adventure of a young man named after a swimming pool who rebrands himself on the mathematical constant Pi (Suraj Sharma) and his journey of survival after a shipwreck and 227 days alone on a life boat with a Bengal tiger as his only companion.

Much like the book, the movie hinges on the audience being able to accept the tale of the unreliable narrator, an older Pi (Irrfan Khan) recounting his adventure years later, despite all logic that tells us the young man’s journey would be impossible.

The film is beautiful to behold, and with only a few exceptions (most notably the odd depiction of Pi’s uncle) the CGI elegantly renders the animals and stark environment the young zoo keeper’s son finds himself. After a brief introduction, and discounting the later events of the older Pi sharing his story to a struggling writer (Rafe Spall), nearly the entire movie takes place on the small lifeboat in the middle of an empty ocean.

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Red Dawn Redux

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  • Title: Red Dawn (2012)
  • IMDB: link

red-dawn-remake-posterAfter being filmed in the Fall of 2009 this needless remake to 1984’s Red Dawn sat on the shelf for three years before finally being released in theaters this Thanksgiving. The new version of Red Dawn is an uninspired trainwreck of an incredulous plot mixed with a gritty attempt at character study, draped in the flag of simplistic patriotism that would make Michael Bay proud, that can never decide what kind of movie it actually wants to be.

Where the original film saw the United States invaded by the Soviet Union, the remake chooses China as the new baddies. However, unwilling to lose the lucrative Chinese movie market, the studio spent another $1,000,000 in post production and CGI to recast North Korea as Red Dawn‘s new villains. Because, in Hollywood’s view, all Asian bad guys are so easily interchangeable. Seriously, I’ve seen WWII propaganda films which were more subtle.

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