Movie Reviews

War Horse

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  • Title: War Horse
  • IMDB: link

war-horse-posterFor his latest director Steven Spielberg returns to the theater of war, but in a far more family friendly way than Saving Private Ryan. War Horse centers around the relationship between a young man (Jeremy Irvine) and his horse, separated by the war, both trying to survive and make it back to each other. If it sounds like Lassie Goes to War, it is, except in this case Lassie is a horse (and Timmy falls into WWI instead of a well).

For the second time in a matter of weeks Spielberg delivers a somewhat disappointing film. War Horse doesn’t have the same problem as The Adventures of Tintin, having no real heart at the middle of the story, but it is overly sentimental and far, far too much like a Lassie film than I assume the director planned to make.

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The Artist

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  • Title: The Artist
  • IMDB: link

the-artist-posterFame is a fickle thing. The largest star in the world can fall into relative obscurity almost overnight, and an extra can go from chorus girl to center stage almost as quickly. Hollywood films have played on these themes for decades, but none in more than 80 years have done so quite like The Artist.

Set to a Vertigo-esque score by Ludovic Bource The Artist is a marvel in itself. In an age where CGI is king this little independent film takes us back nearly a century by embracing the era of Charlie Chaplin and Douglas Fairbanks.

In 2011 it’s not every day you get a black and white silent film. The action alone carries the story, with title cards (rather than subtitles) to fill in any necessary exposition.

Our story begins with the introduction of George Valentin (Jean Dujardin), the world’s biggest silent movie star, and Peppy Miller (Bérénice Bejo), a young extra just starting out on one of George’s films. As Peppy’s career begins to take off George finds himself obsolete almost overnight as silent films are replaced by talkies.

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We Bought a Zoo

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  • Title: We Bought a Zoo
  • IMDB: link

we-bought-a-zoo-posterWe Bought a Zoo certainly isn’t writer/director Cameron Crowe‘s best film. However, it is his most family friendly and, with the possible exception of Jerry McGuire, his most commercial. It some circles that may be seen as a bad thing, but if Crowe’s latest is a little more formulaic than usual he still delivers a charming film that most should be able to enjoy.

Based on a true story, Matt Damon stars as Benjamin Mee, a single-father still reeling from the death of his wife (Maggie Elizabeth Jones). In need of a fresh start, and against the advice of his brother (Thomas Haden Church) and the disapproval of his angsty teenage son (Colin Ford), Benjamin spends the family’s savings to buy a rundown zoo, saving the park and the 200 species from destruction.

In a few months, with the help of the park’s zoo keeper (Scarlett Johansson) and staff (Angus Macfadyen, Patrick Fugit, Elle Fanning, Carla Gallo) Benjamin must to get the zoo up to code if he has any hope of seeing a return on his investment and save the park for good.

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The Adventures of Tintin

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  • Title: The Adventures of Tintin
  • IMDb: link

adventures-of-tin-tin-posterFor his first dabble in the world of animation director Steven Spielberg decided to adapt the Belgian comic of Hergé which center around a young reporter out to discover the truth by unraveling a mystery often by relying on his wits and the help of his dog, Snowy.

The film adapts the eleventh title of the series, The Secret of the Unicorn, which begins with Tintin (Jamie Bell) purchasing an old model ship which contains a clue to a mystery involving an alcholic sea captain (Andy Serkis), a mysterious collector (Daniel Craig), a pirate treasure, and an unsolved riddle in three parts.

Although the film lacks the heart you would suspect of a Spielberg project, The Adventures of Tintin does provide a distinct animated style and several impressive chase sequences. In fact, it could be argued the entire film is little more than a collection of these sequences.

The individual set pieces are beautifully done, and the film even gives a nice nod to Hergé whose art appears in the credit sequence and briefly in the movie’s opening scene.

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The Girl with the Dragon Tattoo

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  • Title: The Girl with the Dragon Tattoo
  • IMDB: link

the-girl-with-the-dragon-tattoo-poster1I’ve never read the novels by Stieg Larsson or seen the original Swedish film, so I went into David Fincher‘s version of The Girl with the Dragon Tattoo (adapted by screenwriter Steven Zaillian) without any preconceptions or foreknowledge of how the events of the plot would unfold. I enjoyed the film as a suspense thriller but I expected more (although I’m unsure if blame should be laid at the feet of the script or the original source material).

We begin not with one tale but two. The first concerns journalist and editor of a small left wing magazine Mikael Blomkvist (Daniel Craig). The film opens with Blomkvist losing a libel case for his pubilshed accusations against billionaire financier Hans-Erik Wennerström (Ulf Friberg). Unwilling to to stay with the magazine and hurt it, and his co-editor and part-time lover (Robin Wright) any further, he finds himself untethered and at a loss as to what to do next.

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