Movie Reviews

127 Hours

  • Title: 127 Hours
  • IMDB: link

There are certain movies that become impossible to separate from your specific movie-going experience. 127 Hours is such a movie for me.

I had heard the advance hype on Danny Boyle’s dramatic and joyous 127 Hours from the festival circuit: People are passing out in the theater because one particular scene in the movie is so intense.

Without giving too much away, the film is based on the true story of college student Aron Ralston (played by James Franco), who found his right arm trapped under a boulder on a solo mountaineering weekend in a remote Utah canyon. The infamous scene occurs towards the end of the film.

Through a combination of sound effects and music (along with the added dread of knowing what was coming for the 80 minutes leading up to the scene), Boyle created a sequence that had me raising one hand in front of my face. There is certainly a bit of a gory element to it, but that is unavoidable—and I humbly submit that it’s not the gore that is so affecting.

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Fair Game

  • Title: Fair Game
  • IMDB: link

Although Fair Game has the dubious honor of sharing a title with a truly awful Cindy Crawford/William Baldwin flick, thankfully that’s all the two movies have in common. Based on the true story of Valerie Plame, Fair Game focuses on the consequences of one man standing up for what he believes in, a talented woman who loses her job and reputation by no fault of her own, a government hell-bent on destroying the lives of two respectable citizens simply to change the news cycle, and how easily one piece of information can change everything.

Naomi Watts stars as CIA undercover operative Valerie Plame. After her husband Joe Wilson (Sean Penn) takes an information gathering assignment to discover if Iraq is buying yellow cake uranium from Niger, he’s horrified to learn the truth of his findings have been perverted to help justify the United States going to war with Iraq.

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Harry Potter and the Deathly Hallows: Part 1

  • Title: Harry Potter and the Deathly Hallows: Part I
  • IMDB: link

There is a point not too far into Harry Potter and the Deathly Hallows: Part 1 where Ron Weasley (Rupert Grint) informs Harry Potter (Daniel Radcliffe) that everything going on, the sacrifices being made, the world falling into darkness, isn’t only about him. This is a sentiment backed-up by the rest of the film. Harry might still be the most important character, but he’s certainly not the only character.

There are several telling differences here. The first scene in the film doesn’t involve Harry at all, but Hermoine (Emma Watson) and the difficult choice she makes with respect to her “Muggle” parents (Ian Kelly, Michelle Fairley). If this dramatic opening isn’t enough to clue you in we’re in for a far darker Harry Potter then scene directly following will leave you no doubt.

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Morning Glory

  • Title: Morning Glory
  • IMDB: link

Sometimes, I suppose, some people just need to watch a nice movie where nice people end up in nice places, despite not nice situations. Hollywood knows this, and they know it well. They crank out these nice movies like a long, processed line of uninterupted sausage, knowing it’ll find some sort of audience. It doesn’t matter if they’re using Grade A or Grade F meat, because this stuff is proven to do some business.

This can all be said of Morning Glory, a movie about a nice girl that, in the end, get’s everything nice that she deserves. That nice girl is played by Rachel McAdams, a young up-and-get’m who lands a job as Executive Producer on a morning news show ala Today, only one dying a slow, ratings-denied death. Things are bad enough before she takes a chance and hires Ted Koppel approximate Mike Pomeroy (Harrison Ford), as a co-anchor. It turns out he hates soft news, and doesn’t care if the show stays on the air. Oh no, they might get canceled!

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Megamind

  • Title: Megamind
  • IMDB: link

“Our battles quickly got more elaborate. He would win some, I would almost win others! He took the name Metro Man, defender of Metro City. I decided to pick something a little more humble – Megamind, incredibly handsome criminal genius and master of all villainy!”

What makes a hero? DreamWorks latest animated feature Megamind, scripted by Alan J. Schoolcraft and Brent Simons, and borrowing heavily from the Golden and Silver Age of comic books (most notably a certain Man of Steel), asks that question. The answer they deliver is highly entertaining.

Metro Man (Brad Pitt) is the beloved hero of Metro City. Shot into space as a baby to escape a dying world he arrived on Earth with good looks, great hair, and abilities far outreaching those of the average man. He’s a hero with the powers of Superman and the ego of Booster Gold. But he’s not who this film is about.

There was another shuttle, another dying world, and another orphaned alien child who took his first steps on the planet we call home. He wasn’t as good looking (being blue and all), and lacked the cool powers that made others swoon for Metro Man. Always painted as the bad boy, the trouble maker, this child would grow up to accept and cherish the role by becoming Metro City’s greatest menace: the super-villain Megamind (Will Ferrell).

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