Movie Reviews

Bullets, Blood and Babies

Dude, guns are awesome.  Seriously, they’re flickin’ sweet.  So can you make an entire movie comprised of almost nothing but people shooting guns at each other?  You can, and it’s called Shoot ‘Em Up.  But can you make a really good movie comprised of almost nothing but people shooting guns at each other?  I guess you’ll just have to read the review to find out. . .

Shoot ‘Em Up
3 Stars

It’s a good time to be a guy at the movies.  With the unexpected success of movies like 300 and Transformers, movies with excessive amounts of violence, style and entirely unneeded female nudity are going to start to flood the marketplace.  Shoot ‘Em Up is easily lumped in with these ultra-macho flicks, but is it too busy being a man’s movie to work on the whole?

Clive Owen plays Smith, an other-wise average guy that happens to be able to be so good with guns, that they’re practically an extension of his arms.  He’s minding his own beeswax one night at a bus stop, enjoying a carrot; when out of nowhere a pregnant damsel runs by, distressed by the dozens of hit men out for the life of her and her womb’s.  Realizing he should probably do the right thing, Smith is dragged into trying to save the woman, failing and being stuck with the task of keeping her freshly delivered bundle of joy out harm’s way.  Eventually Monica Bellalucci joins in on the fun, and we have a happy family of a gun-slinger, a prostitute and an orphan.  To be sure, it’s a picture for the whole family.

While Owen is perfectly reserved and angry as the easily annoyed hard-ass who doesn’t give a fuck; this show belongs to Paul Giamatti as the smug family man whose business trips consist of offing people that the highest bidder wants offed.  Giamatti is disgusting here, snobbily muttering off his dialogue under his breath out of his round and stubbled face.  We all knew that the guy can play a serious role like few others can, but now we see that the Sideways star can do exploitation as well as fine drama.  The guy can shout “Fuck you, you fucking fucker!” like it’s no one’s business.

But as great as the performances are, the film’s entire purpose for being is the violence.  The stuff is so histrionic and unbelievable, it’s probably closer in line with Looney Toons than most action vehicles Hollywood throws our way, with gun-fights erupting on playgrounds and a few thousand feet in the air.  Realism isn’t this movie’s thing, but entertainment is – the set-ups for these segments are riotously far-fetched, so unbelievable that only a five-year-old who still believes in the monster under his bed could think of the story as plausible.

But as insane as all of these scenes are, none of them reach their potential.  You laugh when you’re in the theater, but the stakes are non-existent and the action is too difficult to follow for this film to be memorable.  I saw this movie less than 24 hours before writing this review, and I’m already having a hard time recalling what exactly happened.  What with a murky political conspiracy that is hard to grasp and not a second’s rest to take everything in and realize how ridiculous it is, the movie spirals downward at the end to a point where the fact that Owen just used his own hand as a gun isn’t as interesting as it ought to be.

It might not be the movie that I had hoped it would be; but at a short and sweet 93 minutes, Shoot ‘Em Up a good enough time to spend a few bucks on.

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The King of Kong: A Fistful of Quarters

  • Title: The King of Kong: A Fistful of Quarters
  • IMDb: link

The King of Kong: A Fistful of Quarters

Here we examine video games and the people who play them, not just for fun, but for recognition, glory, and world records; this is the subject of an outstanding documentary, with perhaps the best title of any film released this year (and the rest of the film ain’t too shabby either).

Director Seth Gordon paints us a surprisingly complex tale of two very different men.  Billy Mitchell is the king of his universe, the world record holder for Donkey Kong, who once played the first perfect game ever recorded on Pac Man, owns his own company, and is a longtime friend and contributor to Walter Day, the founder of Twin Galaxies (an organization which tracks video game records).

Mitchell was once named “the greatest video-game player of all time” and “Gamer of the Century.”  Confident and arrogant to a fault he is the undisputed master of his domain.

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The 11th Hour Approaches

  • Title: The 11th Hour
  • IMDb: link

The 11th Hour

Well, it’s not An Inconvenient Truth (read the review), let’s get that out of the way first.  This new documentary on the increasing problems with the environment doesn’t have the jau de vive, the heart, or the spirit of Al Gore’s documentary from last year.  Though it may not live up to the Gore standard there is plenty to watch (especially in the film’s second half) and more than a little to discuss.

The documentary focuses our attention on the changing climate of the Earth due to a variety of factors including global warming, pollution, over population, and man’s destructive effect on the environment.  Leonardo DiCaprio narrates the film which is filled with interviews from scientists from many fields and countries including Stephen Hawking.

The documentary breaks down into two parts.  The first showcases the increasing dangers and causes and foretells of a dangerous and disastrous future if real change isn’t embraced soon.  This part of the film comes dangerously close to the scare tactics many wanted to, falsely, lay at the feet of An Inconvenient Truth.  This first section of the film comes off as part lecture and part blame instead of the imploring and instruction Al Gore utilized to much better effect.

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Balls of Fury Sure, but Where’s the Heart?

  • Title: Balls of Fury
  • IMDb: link

“Ping-pong isn’t played for trophies; it’s played in dark alleys for hard cash and ugly women.”
 

Balls of Fury

Years ago Randy Daytona (Dan Fogler) blew his chance at the 1988 Olympic Games.  Not a washed-up has-been and punchline Fogler is offered a chance by FBI Agent Ernie Rodriquez (George Lopez) to return to glory and avenge the death of his father (Robert Patrick) by entering a secret underground tournament held by the man responsible, the crime lord Feng (Christoper Walken).

The film is filled with predictable dumb and gross-out humor and cheesy cliched training scenes involving a blind ping-pong master (James Hong) and his sexy niece (Maggie Q).  And you know it’s not a comedy without a suppository joke and male sex slaves!  *Sigh*

The acting is okay, at times, and Fogler comes off as a poor man’s Jack Black.  Walken is back to his silly over-the-top performance he gives in films like these, and Maggie Q looks good in short-shorts and Aisha Tyler spends the movie in a leather dominatrix outfit.  Yes, pre-teen males are obviously the target audience here.

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Resurrecting the Champ

  • Title: Resurrecting the Champ
  • IMDb: link

Resurrecting the Champ

I remember watching the trailer for this film and wondering why it wasn’t made for the ABC Family channel.  Truth is I’m not much of a Josh Hartnett fan, other than his small roles in films like The Virgin Suicides and Sin City.  This film, as cheesy as it is at times, comes off with some heart, and Hartnett deserves most of the credit.

Erik Kernan (Hartnett) is a sports writer, who, as his boss (Alan Alda) describes, has a talent for typing with very little writing.  Looking for a shot on the newspaper’s magazine, and a cushier gig, Erik proposes the story of a former boxing champion Bob Satterfield (Samuel L. Jackson) now living on the streets.

Although much of screen time of the film is taken up with Satterfield and his story and Kernan’s attempts to tell it to the world, that’s not what the film is really about.  More than anything else this is a film about fathers and sons.  Kernan deals with being separated from his wife (Kathryn Morris) and six-year-old son (Dakota Goyo), and at the same time tries to come to terms with the legacy of his father, a legendary radio announcer.

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