Movie Reviews

Surf’s Up, Dude!

Yeah, I know what you’re gonna say.  Another film about penguins?  This time they surf?  I know, I know, but hear me out.  Unless you are totally penguined-out, Surf’s Up is worth a look.  It’s an odd mix of intelligence and creativity and lowbrow humor that, when its not getting in its own way, provides a good message and an enjoyable ride.  It might not be the best animated film you’ll see this year, but it is a memorable one.

Surf’s Up
3 & 1/2 Stars

Surfing penguins you ask?  Yeah, I’ll admit the idea is a bit outside the box.  Maybe that’s what I like about it.  Surf’s Up isn’t a great animated film, but it’s a darn good one that, when it’s not too busy getting in its own way, provides a good story arc, memorable characters and some terrific animation.

Cody Maverick (Shia LaBeouf) wants only one thing out of life, to become a surfer like his hero the famous Z.  Cody leaves the cool confines of Antarctica to travel with a promoter (James Woods) and his assistant (Mario Cantone) to enter the Penguin World Surfing Championship.

There he meets a other competetors including Chicken Joe (Jon Heder), the nine-time defending champion Tank Evans (Diedrich Bader) the lovely lifeguard Lani (Zooey Deschanel) and her anti-social friend Geek (Jeff Bridges doing a pretty funny penguin version of the Dude) who hides out from the rest of the world in his shack up in the hills (don’t worry, he’s not a penguin unabomber).

The story isn’t anything new, but the choice of filming it as a documentary is a gutsy call.  The entire film is presented with these characters speaking to and in front of the camera.  It turns out to work wonderfully and gives the film a quite different feel from you average animated flick.

Where it gets into trouble, however, is when it cow-tows to the more base audience.  The film is filled with cheap poop/fart humor that seems shoved in at random to get the young kiddies to laugh.  I honestly wonder if the studio though the film was too smart for kids and demanded more cheap laughs.  Although these don’t ruin the film, and many younger kids might like them, they do begin to wear on the older members of the audience.

Where the film succeeds is when it pushes the envelope and tries to create something new in a mockumentary approach to the fully realized world of competitive penguin surfing.  The characters are well fleshed-out and the story, though predictable, is quite enjoyable – except when the film lowers itself for cheap jokes that mostly fall flat.  It’s not the best animated film, but it does have a unique style and, in my opinion, is a superior film to last year’s Happy Feet (read the review).  I guess I would rather see penguins surf than dance.

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Ocean’s Eleven

  • Title: Ocean’s Eleven
  • IMDb: link

oceans-eleven-poster

George Clooney, Bernie Mac, Brad Pitt, Elliott Gould, Casey Affleck, Scott Caan, Matt Damon, Andy Garcia, Don Cheadle and Julia Roberts play off one another as if they have been acting together all their life. With a cast like this do you need any other reason to watch such a film, besides the excitement and the magic?

Close to the 1960’s Ocean’s Eleven, here is an exciting adventure and puzzle to watch. Ocean’s Eleven starts with a bang and ends with a complacent group standing in front of the Bellagio fountain light show. Danny Ocean (George Clooney), recently released from jail, gathers just the right group of con artists, pick pockets and immoral crew to pull off the biggest con ever, robbing three Vegas casinos owned by Terry Benedict (Andy Garcia). Amongst the talented crew is the dashing and always eating Rusty Ryan (Brad Pitt), a young pup of a pickpocket Linus Caldwell (Matt Damon), and a British accent pyro Basher Tarr (Don Cheadle).

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Blue Crush

  • Title: Blue Crush
  • IMDB: link

blue-crush-posterPlot line wasn’t as deep as the surf on the beach, but the surfing scenes where awesome. The imagery and shots they caught, as if you where on the board with them, are intense.

Ann Marie (Kate Bosworth, before she became a bobble head) plays a surfer girl who lives in a shack with her 2 friends, Eden (Michelle Rodriguez) and Lena (Sanoe Lake), and her little sister Penny (Mika Boorem). She’s left with the care of her little sister who goes through her rebellious teen days, staying out late and hooking up with really bad surfer guys. Not only does Ann have to worry about her sister, but is always struggling with bills; Ann, Eden and Lena work as maids at a luxury resort trying to make ends meet. She wakes up bright and early in the morning and hits the waves, trying to overcome the tragedy of last year’s Rip Masters surfing contest where she wiped out and almost died. However, there is nothing she wants more than to prove herself as a serious and bodacious surfer chic, but she struggles with the nerve to get out there and do it.

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‘Up’ Catches Highs and Lows of Love

After giving us “The 40-Year-Old Virgin,” a mature but funny look at dating, it must have been a logical next step for Judd Apatow to direct “Knocked Up,” a mature but funny film that takes place a few years later in an average person’s life, during the process of preparing for parenthood.  Smart but never pretentious, funny without ever stepping away from reality, Apatow’s newest film is a clear winner and one worth seeing.

Knocked Up
4 Stars

Comedies are just about always about the absurd.  Think about it, try to name five comedies in the past few years that have given us real people and real situations.  Sure, there are rare gems like the semi-grounded Clerks II, but most of what we get is something along the lines of the over-the-top Talladega Nights or – dare I mention its name – Wild Hogs.  The very definition of humor is a comic, absurd, or incongruous quality causing amusement.  So when a movie like Knocked Up, a film ripped straight out of reality, and is one of the funnier movies in the recent output of Hollywood; it’s one worth noting.

Ben, a man with a little extra chunk, finds a woman with a face worthy of the cover of Seventeen magazine at a club, and even gets the invite to go home with her for a one night deal.  That’s good!  She gets pregnant.  That’s bad!  But they’re going to try to make it work and have the child together.  That’s good!  They start yelling at each other and having a hard time creating a relationship out of nothing.  That’s bad!

 

But hey, no one ever said that love was easy, and writer/director Judd Apatow gets some serious brownie points for portraying this fragile relationship that started out mostly thanks to alcoholic consumption and a rogue condom as being as volatile as it should be.

Our director adds to the reality of the situation with steady-cam shots, what must have been largely improvised scenes and a sometimes bland, unintentional but utterly believable color scheme delivered by its digital cameras.

The jokes are fueled by the nervousness of the impending baby and relationship of the parents, not by larger-than-life people who you’ve often seen on the big screen but never on walking on the street.  It helps to make the film feel as though it might have been a documentary about two random people who happened to get pregnant together.

Apatow gets plenty of help from his actors though.  Seth Rogen, as Ben, is undeniably the slacker-extraordinarie that his character calls him to be.  Living off of a lawsuit settlement, the guy’s only ambitions are to smoke pot and help his friends create their website that highlights nude scenes from movies.  On the other hand, you’ve got Katherine Heigl as the blonde who sails into her job as a personality for the E! Network with her carefree laugh and easy going but serious attitude.  When their lives are crashed into each other, they’re awkward together.  They aren’t some Hollywood romance, and you can feel the discomfort in each one’s demeanor.  You can see why they’re fond of each other, but they’re just too different to be peas in a a pod with each other.  We also get a great performance out of Paul Rudd, the family man who just doesn’t know how live as a husband.

Maybe the best thing about Knocked Up is if you cut out every laugh the comedy, it could have absolutely been your typical European independent film about the difficulty of relationships, communication and love.  Not that there’s any justification to editing out Apatow and his cast’s jokes, Rudd in particular will have you on your side with just his imitation of Robert DeNiro or his soul-searching speech about bubbles.  With so many comedies out there solely relying on laughs to work, it’s refreshing to see a true filmmaker deliver something as mature as Knocked Up, a movie that works on every level.  If you want laughs or if you want reality, you can’t go wrong.

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‘Gracie’ Just Another Face in the Crowd

Do I really have to review Gracie?  I mean, I guess if I can try to avoid the specifics in here, I can just recycle the review for future clones that inhibit the sports drama of over-coming the odds, but it just seems so redundent to have to review a film you’ve already seen, and will see again a lot in the future.

Gracie
2 Stars

Gracie is never a bad film, it’s just a repeat of countless other films that came before it.  Why should you go out to the megaplex and plunk down all of your hard-earned money on a rerun?

Gracie wants to play soccer, but can’t because she’s a chick.  Boo hoo, whatever; come back when you can give me a movie where I care about the characters.  It’s not a total mess-up – the lead of Carly Schroeder can hold her own, and Dermot Mulroney is actually pretty good as the father who trains his daughter to play like a son.  Still recovering from a death in the family, he doesn’t know how to reconnect with his family, and doesn’t know how to connect in the first place with his only daughter.  This isn’t quite a noteworthy performance, but it is solid and the only above-average aspect in a movie full of average.

But the plot is just blah.  I mean, if Gracie is the first film you ever see, it just might have you cheering on the heroine as she trains to be the best, but if not it’s just going to feel like a Disney Channel movie that twinges just a shade or two darker.  But the worst part is the over-exaggerated misogyny.  Here’s how half of the men think in the film: “Whoa – what?  Wait, you’re telling me that a girl wants to play soccer?

That’s outrageous!  Not only will I try to keep her from playing at all, but I’ll go out of my way to foul her and give her a bloody nose, because I don’t think a woman’s place is anywhere outside of a Kitchen!”  As a man, I can say that I’m honestly offended by this.  I mean, I can understand that political correctness was different in the 70s (when the film takes place,) but the men in this film are so unnecessarily discriminatory that I can’t take it seriously, and the fact that Bro-Seller-Outer director Davis Guggenheim paints men this cruelly seems like just too easy a method to use to get the audience on your side.

You know, I’ll give this much to Gracie.  Aimed at a demographic of young girls, it may be the first sports drama that they ever see; and maybe if its their first experience with it, it will be a fun one.  But there’s just not anything here for veterans of the genre.

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