Despite what the WWE may want you to believe, Vince McMahon didn’t invent wrestling. He didn’t invent women’s wrestling. And he sure as hell didn’t even the first superstar of women’s wrestling. Queen of the Ring examines the life and career of Mildred Burke (Emily Bett Rickards), a single mother chasing a dream who would become the most famous female wrestler in the world at a time the sport was banned in most states.
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I like Daisy Ridley. I like Die Hard. So a Die-Hard-esque film starring Daisy Ridley sounded like fun. While there is some eventual fun in Cleaner, which stars Ridley as a former soldier turned window cleaner who alone can stop a group terrorists taking hostages in a London skyscraper, Cleaner takes its damn sweet time to get there.
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The first Paddington film in eight years takes Paddington (Ben Whishaw) and the Brown family out of London and into the jungles of Peru. Flipping the fish-out-of-water concept of the series on its head, the third film in the franchise returns Paddington to the jungle while pushing the Brown family, who all choose to accompany him, into unfamiliar surroundings allowing them to react to the strange new world.
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Providing Sam Wilson‘s (Anthony Mackie) first big-screen appearance of Captain America, transforming President Thunderbolt Ross (Harrison Ford) into Red Hulk, and laying the some connective tissue between past and future films such as finally pulling on the Celestial thread left over from The Eternals, Captain America: Brave New World proves to be another middling entry to the MCU post Avengers: Endgame as I’m not sure making a good film, rather than a serviceable one, ever made it past the planning stage.
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While I quite enjoyed the movie, I have a strong suspicion that a documentary of the story behind the making of The Seed of the Sacred Fig would far more fascinating. Shot in Iran by director Mohammad Rasoulof while being sentenced to prison, the film was smuggled out of the country with the director to follow just hours before he would have been forced to surrender to authorities. Cut together with Internet footage of the Iranian government’s harsh crackdown on protestors, the thriller takes us into the lives of a single Iranian family which dissolves in front of eyes due to fear, paranoia, and oppression.
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