Movie Reviews

Hard Candy

  • Title: Hard Candy
  • IMDb: link

Hard CandyA two actor performance piece about a a deranged and vindictive 14 year-old girl and a pedophile. Yeah…you might say this isn’t exactly for everybody. I saw the film in a mostly empty theater during a press screening and I’m pretty sure I would not want to view it in a crowded one. It’s an intensely uncomfortable experience that never quite justifies what it puts the audience through, but there are points to, well not exactly enjoy, but at least appreciate.

Jeff (Patrick Wilson) is a photographer who has an attraction to underage young girls who he meets online. As the film opens he has made a date with 14 year-old Hayley (Ellen Page) to meet at a local coffee shop. The two rendezvous and talk and eventually go back to his place where they share some more conversation over drinks. Everything seems to be going swimmingly for Jeff until he faints and wakes up tied to his chair with Hayley in control calling him a pervert and a predator.

Hayley proceeds to verbally abuse Jeff as she searches through his house for evidence of child pornography and proof that he’s responsible for the abduction and possible murder of an underage girl from the same coffee shop. Jeff at first can’t comprehend his new condition as this young girl has turned the tables on him and seems to grow crazier the longer this goes on. Hayley even goes so far as to tie him to the table and offer her own solution to his problem by suggesting and performing (guys, prepare to wince) an impromptu circumcision.

The film is not for everyone and truthfully most people will be quite uncomfortable through parts if not all of the film. The issues the film raises are serious ones and it never takes them lightly in Hayley’s search for justice and truth. The problem becomes we never are let into the reasons behind her crazed mission and so she comes off as bad, if not worse, than the child molester (something quite remarkable but not necessarily good for the film).

The performances are outstanding in what amounts to basically a two-man play (in fact I think this material would work much better on stage than in a theater where I don’t think casual observers are going to be comfortable with the subject matter). Ellen Page plays Hayley with a multitude of colors and layers letting us see her childhood innocence and her very adult cynical attitudes that lead to violent outbursts and some shocking actions.  Wilson has the uninviable job of making the pedophile the victim of the piece and does well with such a near impossible task.

The film veers off from time to time as events happen and Hayley proves so resilient and intelligent (even clairvoyant at times) that by the end of the film its hard to take her seriously as an actual 14 year-old (or even human for that matter). The film’s length and rather unsatisfying ending may also leave viewers a little cold to a film that although it has a lot to say in the end doesn’t really have a point.

Still the film will illicit a reaction from you the audience member and is different enough with good performances for me to recommend it to people that can stomach the subject matter. Be warned however despite how well it is made it’s not an easy film to take, nor in the end that satisfying of one. And you might want to budget some time afterwards to go home and shower..

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The Sentinel

  • Title: The Sentinel
  • IMDb: link

Remember when it seemed like every other film was about the President of the United States?  What happened to that trend? Oh yeah, Clinton left office.  It’s telling when the only time Hollywood looks to the White House for material it’s either damning (see American Dreamz) or focusing on the underlings who make things run.  One would think that In the Line of Fire closed the book on Secret Service films, but apparently that was not to be.  Are we better off for having reopened the veiled windows of what goes on with the President’s bodyguards once more?  Let’s find out, shall we?

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With Friends Like These…

  • Title: Friends with Money
  • IMDb: link

Friends with Money

I wish Jennifer Aniston would get a new agent.  She stars in some really horrendous films and yet finds nice supporting roles in films like She’s the One and Office Space.  Then last year she finally hit paydirt in starring in one of the better films of the year in Rumor Has It, but it seems things are back to normal with the regrettable The Break-Up and Friends with Money as well providing yet more disappointment for fans of the girl we fell for as Rachel Green.

The film centers around three married women (Frances McDormand, Joan Cusack, Catherine Keener) and their single friend Olivia (Jennifer Aniston).  The women are all well off even if they live somewhat scattered lives.  Jane (McDormand) is married to a loving husband (Simon McBurney) whom everyone believes is gay.  Franny (Cusack) is married to a loving husband (Greg Germann) with more money than they know what to do with.  Christine (Keener) is stuck in a marriage and professional partnership with an emotionally distant man (Jason Isaacs).  And then there’s Olivia who quit her job teaching in order to become a maid.

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The Stuff Dreamz Are Made Of

  • Title: American Dreamz
  • IMDB: link

Parody is easy; satire is hard.  Parody imitates and derides in an intentionally easy and often low-handed way for purely comic effect.  Which isn’t to say it can’t be funny when done well.  Satire however has a higher purpose than just imitation or mockery as it uses it’s humor and wit to showcase human folly, vice and frailty.  As a parody American Dreams scores on all points; as a satire it struggles with an unwieldy amount of plot threads yet still manages to weave enough together for a very clever, if not perfect, satire of both American Idol and the Bush White House.  Not as complete or as well crafted as David Mamet’s State and Main or Wag the Dog, but when the movie gets it right it gets it just right for hilarious results.

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Thank You for Smoking

  • Title: Thank You for Smoking
  • IMDB: link

“Death is easy; comedy is hard.”

“Satire is fascinating stuff…it’s the only thing that makes any sense.”

Big Tobacco is constantly under attack from all sides.  That’s where Nick Naylor (Aaron Eckhart) comes in.  He’s their chief spokesman who can spin any situation to his advantage making both himself and the Tobacco Lobby look good in the process.  How does he do it?  It’s a gift.

At the same time Nick is trying to help raise his impressionable 12 year-old son Joey (Cameron Bright), giving an interview to an attractive young reporter (Katie Holmes), fighting a Senate Investigating Committee headed by anti-tobacco Senator Ortolan K. Finistirre (William H. Macy) and trying to pay-off the Malboro Man (Sam Elliott) who is dying of cancer and ready to speak against Big Tobacco to the press.

Aaron Eckhart is the heart and soul of this film as everything rests on his performance, and he delivers an Oscar caliber performance.  Not only does he make Nick Naylor compassionate but he actually starts to persuade you with his arguments as well.  With a warmth and charm he actually makes you believe Big Tobacco isn’t really that bad.  Is it?

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