Movie Reviews

Four Samosas

  • Title: Four Samosas (and the Ill-Advised Grocery Store Heist)
  • IMDb: link

Set in Little India and fitting into the same sub-genre of comedy heist flicks like Wes Anderson’s Bottle Rocket (but better), Four Samosas features a would-be rapper (Venk Potula) who bands together with his friend (Nirvan Patnaik), a repoter (Sharmita Bhattacharya) of a small free local paper, and a malcontent engineer (Sonal Shah) to rob a local grocery store run by the disapproving father (Tony Mirrcandani) of his ex-girlfriend (Summer Bishil) who has just gotten engaged.

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Triangle of Sadness

  • Title: Triangle of Sadness
  • IMDb: link

Writer/director Ruben Östlund takes a darkly comedic view at the problems of rich people in Triangle of Sadness offering a bickering couple (Harris Dickinson and Charlbi Dean) brought together to further each of their modeling careers which blossomed into a real relationship, of sorts, who are invited aboard a luxury superyacht cruise if they agree to promote it on social media. All things considered, they should have stayed at home.

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All the Beauty and the Bloodshed

  • Title: All the Beauty and the Bloodshed
  • IMDb: link

Director Laura Poitras‘ documentary examines the life of artist and activist Nan Goldin. The film touches on pieces of Golden’s life including the crucible of her repressed childhood and discovery of photography and art as a method to deal with the world, her life and growth as a woman and artist in the transgender communities in New York and the post-punk drug culture of the Bowery, and her recent activism against the Sackler family and Purdue Pharma for creating and marketing OxyContin despite knowing its highly addictive qualities (which was the original subject for the documentary which was expanded to be a larger look at Goldin’s life).

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Till

  • Title: Till
  • IMDb: link

Centered around Mamie Till (Danielle Deadwyler), Till examines the prelude and aftereffects of the murder of 14 year-old Emmett Till (Jalyn Hall) who was abducted, tortured, and lynched in Mississippi after being accused of flirting with a white woman (Haley Bennett) in her parents’ store.

Director Chinonye Chukwu‘s gut-wrenching film is broken into two-halves, the first 4o minutes gives us the dark foreboding leading to events which take place off-screen after Emmett is dragged from his relatives’ home in the dark of night by armed men. The second-half of the film, which begins with the return of Emmett’s body to Chicago, would spur Mamie into action struggling to get justice for her son in Mississipi, and, failing that, starting the second-half of her life as an educator and activist in the Civil Rights Movement.

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The Fabelmans

  • Title: The Fabelmans
  • IMDb: link

Steven Spielberg‘s semi-autobiographical Hollywood version of his childhood ends on a high note with one of the best scenes of the year (which I certainly won’t spoil for you here). The journey to that moment takes a little longer than it should and feels a bit like a greatest hits album rather than one coherent narrative, jumping around to important moments in the life of Sammy Fabelman (Gabriel LaBelle & Mateo Zoryon Francis-DeFord) which would mold him into the man and filmmaker he would become.

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