Movie Reviews

The Bob’s Burgers Movie

  • Title: The Bob’s Burgers Movie
  • IMDb: link

Adapted from the animated TV-show of the same name, The Bob’s Burgers Movie is your typical sitcom expanded to a full-length film taking full advantage of the quirky and constantly struggling Belcher family attempting to make their way through a latest disaster. For the film this includes attempts to drum up business to make a mortgage payment while at the same time dealing with a giant sinkhole that appears in front of the restaurant.

Fans of the show will recognize themes including Bob (H. Jon Benjamin) slowly spiraling, Linda‘s (John Roberts) relentless optimism, and various peculiarities of their children who getting themselves entangled in a mystery after Louise (Kristen Schaal) discovers a skeleton in the sinkhole. The mystery allows the trio to ignore their own separate issues (a boy, a band, and a bully) and attempt to find the murderer and help the family save the restaurant.

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Doctor Strange in the Multiverse of Madness

  • Title: Doctor Strange in the Multiverse of Madness
  • IMDb: link

Following the likes of WandaVision, Loki, Shang-Chi and the Legend of the Ten Rings, Moon Knight, and The Eternals, Marvel Studios continues to push Phase Four in new and different ways. While not everything has been as strong as some of the earlier core Marvel titles, it certainly hasn’t been boring. In many ways, you could refer to Phase Four of the MCU as Marvel Studios’ experimental teenage years. Enter director Sam Raimi.

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The Unbearable Weight of Massive Talent

  • Title: The Unbearable Weight of Massive Talent
  • IMDb: link

The Unbearable Weight of Massive Talent is insane, in mostly good ways. I’m not sure it’s the most Nicolas Cage movie ever, but it’s not from lack of trying. Nicolas Cage stars as himself in a ridiculous adventure comedy that finds the actor during a downturn in his career accepting $1 million to attend a fan’s (Pedro Pascal) birthday party only to become pulled into a kidnapping case by the CIA.

Cage, playing a larger-than-life version of himself selfishly driven to be a movie star at the cost of his marriage to his ex-wife (Sharon Horgan) and his strained relationship with his estranged daughter (Lily Mo Sheen), is terrific here. Pascal is an inspired choice for the super-fan who, despite the warnings from the CIA, quickly becomes Cage’s best-friend as his undercover mission becomes all the more complicated. A celebration of Cage’s career and eccentricities with nods to numerous films, one could argue it’s the most professional fan film ever produced.

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All the Old Knives

  • Title: All the Old Knives
  • IMDb: link

Chris Pine and Thandiwe Newton star as spies and former lovers reunited eight years after a terrorist attack in Vienna. Still with the agency, Henry Pelham (Pine) is tasked with discovering whether or not an inside man helped the terrorists nearly a decade before with the obvious suspects being his former lover and her boss (Jonathan Pryce).  

The film from writer/director Olen Steinhauer attempts to be a slow-burning thriller revealing secrets and twists while poking at old wounds as Pine and Newton hash out past events over dinner. Never as thrilling as it should be, and with an odd choice to jump into extremely jarring close-ups at random intervals, All the Old Knives is really only worth noting for the performances of its two stars, as the plot, despite its attempt at shocking twists, is mainly just an excuse for the two to eat dinner while telling lies and variations of the truth.

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