Movie Reviews

Licorice Pizza

/ / Movie Reviews
  • Title: Licorice Pizza
  • IMDb: link

During the 70s in San Fernando Valley a 15-year-old child actor will meet a 25-year-old photographer’s assistant on his yearbook picture day and nothing will ever be the same. Licorice Pizza offers the unlikely pairing of the charming hustler Gary (Cooper Hoffman) and the smart but somewhat lost Alana (Alana Haim) who begin as friends, become something more complicated, and then eventually give into their feelings for each other.

Other characters will come and go, including Bradley Cooper offering an insane take on John Peters in one of my favorite performances of the year, but the movie is about our leads’ (often dysfunctional) relationship. The film takes several unexpected turns including Cooper’s introduction, Gary being momentarily arrested, Alana looking for a more meaningful life working on the mayoral campaign of Joel Wachs (Benny Safdie), and Gary’s various enterprises which include a waterbed company and arcade.

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American Underdog

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  • Title: American Underdog
  • IMDb: link

Adapted from Kurt Warner‘s autobiography, American Underdog follows the unlikely journey of small-time college quarterback Kurt Warner (Zachary Levi) from college, to being completely out of football stocking shelves at a Hy-Vee, and ultimately to the NFL. Much of the film focuses on Warner’s personal life, his relationship with Brenda Meoni (Anna Paquin) and her children, and his struggles in finding life after football.

The film from directors Andrew Erwin and Jon Erwin is attempting to cash-in on a tale similar to Invincible and The Rookie. However, both of those films were produced by Disney who has a better feel for the genre. While it may not measure up to either of those two films, American Underdog is still an interesting look at the lesser-known aspects of Warner’s life although it skirts over his professional relationships in the NFL with everyone except his coaches. 

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The Matrix (Zombie) Resurrections

/ / Movie Reviews
  • Title: The Matrix Resurrections
  • IMDb: link

What a piece of shit. I’m pretty sure The Matrix Resurrections exists solely to shut-up people who thought it was impossible to make a Matrix film worse than The Matrix Revolutions. Well, there’s no argument now. Holy fuck, this movie is awful while constantly preening at the camera (often in bad makeup) smugly thinking it’s the shit by repackaging fan fiction takes on The Matrix as original content.

The reimagining/sequel brings back Keanu Reeves and Carrie-Anne Moss, along with a few other familiar faces, while recasting other key roles, relying completely on nostalgia and emotion for the original film (often restaging or simply replaying  scenes), and blending that all together in a mishmash of half-baked ideas that ignores as much about the original films and characters as it uses when it suits the film’s purposes.

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The Novice

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  • Title: The Novice
  • IMDb: link

This character study from writer/director Lauren Hadaway introduces us to obsessive-compulsive college freshman Alex Dall (Isabelle Fuhrman) who joins the university’s rowing team. With goals to make varsity, despite having no experience in the sport, Alex throws herself fully into the project in much the same way she decided to make her weakest subject her college major and overcome what she sees as a shortcoming.

The Novice examines a side normally not highlighted in sports films. While Alex is consumed with winning, the movie is not about her heroic struggle over the odds. Instead, The Novice examines compulsion, fixation, obsession, and the winning at all costs attitude that can be destructive not just in the sport but throughout a person’s life. Alex is often offered help, much of it ignored, as she seems predestined towards proving she will either succeed or fail on her own.

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Nightmare Alley

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  • Title: Nightmare Alley
  • IMDb: link

Adapting the 1946 novel of the same name, Nightmare Alley is more about con men than monsters (which is usually writer/director Guillermo del Toro‘s wheelhouse). The film is split into two halves, the first involving a man running from his past joining a carnival and learning secrets to start his own clairvoyance act. The second, takes place a couple of years later with Stanton (Bradley Cooper) and his wife (Rooney Mara) putting his skills to use in higher-class surroundings by taking advantage of more wealthy marks.

Think of Nightmare Alley as Guillermo del Toro’s attempt at a David Mamet movie filled with con men and grifters, murderers and thieves, all out for their own interests, with plenty of twists and double-crosses thrown in for good measure. The result, more from the limitations of the source material than his direction, are a bit mixed.

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