Movie Reviews

Buffalo Boys

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  • Title: Buffalo Boys
  • IMDb: link

Buffalo Boys movie reviewAlthough only the first scene of Buffalo Boys takes place in the Old West, there’s never a doubt that Singapore’s entry for the Best Foreign Language Film in the 91st Academy Awards is a western through and through. The film tells the story of two brothers (Yoshi Sudarso and Ario Bayu) raised in exile in America who return home to Java with their uncle (Tio Pakusadewo) to avenge their father’s death and bestow some justice to the Dutch oppressors led by the villainous Van Trach (Reinout Bussemaker).

While far from the most polished or original tale, Buffalo Boys proves to be an entertaining mix of marital arts and western themes. On the return home, the family comes across a village whose rebellious daughter (Pevita Pearce) will get wrapped up in their plans leading to the brothers standing against an army of Van Trach’s men in the middle of town.

The final product could have been helped by the addition of more traditional wide-sweeping landscape shots and some tighter storytelling in spots, but it certainly hits the mark in old-school justice themes and in its extended gunfight that, of course, starts with a showdown on Main Street.

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Vice

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  • Title: Vice
  • IMDb: link

Vice movie reviewWriter/director Adam McKay‘s Vice is a look into the life and political career of Dick Cheney (Christian Bale). There are plenty of amusing moments which are bolstered by terrific performances by both Christian Bale and Amy Adams.

However, McKay takes a relatively safe approach here and the film fails to sink its teeth deep enough into the subject matter to elicit more than a handful of great moments. While not exactly toothless, the film lacks the bite and satirical wit to truly have fun with Dick Cheney’s political career. It’s too… nice. And it’s not like McKay was lacking in material to pull from. Remember, Cheney once shot a man in the face and had the political power to make the victim apologize to him on national television.

By the end of the movie, McKay is able to put Cheney’s vice presidency into historical context while cherry-picking diverting sequences to showcase along the way. That said, it’s in the performances more so than the subject matter where Vice finds the most success. Along with Bale and Adams, Steve Carell and Sam Rockwell add some comic relief as Cheney’s mentor Donald Rumsfeld and President George W. Bush.

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Spider-Man: Into the Spider-Verse

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  • Title: Spider-Man: Into the Spider-Verse
  • IMDb: link

Spider-Man: Into the Spider-Verse movie reviewI never expected to see Spider-Ham show up in a theatrical film as a major supporting character. I also never expected Sony to outdo Marvel in producing the best super-hero movie of the year. These are but two of the wonders of Spider-Man: Into the Spider-Verse which give us the origin story of Miles Morales (Shameik Moore) as the new Spider-Man while also offering a few different versions of Peter Parker (Chris Pine, Jake Johnson, Nicolas Cage), Spider-Ham (John Mulaney), Peni Parker (Kimiko Glenn) and her robot, and Spider-Gwen (Hailee Steinfeld) as heroes from other dimensions brought to this Earth to help Miles stop the Kingpin (Liev Schreiber) who threatens to destroy reality while furthering his own selfish desires.

With a visual style that looks and feels like a moving comic book, the film by directors Bob Persichetti, Peter Ramsey, and Rodney Rothman offers everything a Spider-Man fan could want (with the exception of not including the Scarlet Spider, sigh). While staying true to the original characters, small choices such as the breeze to blow Spider-Man Noir’s (Cage) overcoat and adding ballet as a piece of Spider-Gwen’s fighting style are genius.

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Mary Poppins Returns

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  • Title: Mary Poppins Returns
  • IMDb: link

Mary Poppins Returns movie reviewMy initial reaction to the news of Disney’s decision to make a sequel to Marry Poppins was something along the lines of “No, no, no, no, no, no. No.” Although it may not quite measure up to the original, Mary Poppins Returns does succeed in capturing the spirit of the first film and delivers a magical treat for audiences this Christmas.

Stepping into the shoes of Julie Andrews for the title role is Emily Blunt as the magical nanny returns to help the grown-up Banks children (Ben Whishaw and Emily Mortimer). More successful than something like Hook, Mary Poppins Returns still deals with some of the same themes involving growing up and loosing the childlike wonder that makes life worth living. Blunt is terrific in some inspired casting. Although the songs of the sequel don’t measure up to the original (there’s only a single number here even approaching the energy of “Supercalifragilisticexpialidocious” or “Chim Chim Cher-ee“) the songs we do get help tell the story of the Banks children (Pixie Davies, Nathanael Saleh, and Joel Dawson) and their introduction to Mary Poppins‘ magical world.

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Roma

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  • Title: Roma
  • IMDb: link

Roma movie reviewWritten, produced, and directed by Alfonso Cuarón, Roma is a semi-autobiographical film centered around the maid (Yalitza Aparicio) of family in Mexico City during the 1970s. With complete control of the film, Cuarón takes his time with the story as it unfolds slowly over the course of more than two-hours. This proves to be Roma‘s strength and curse.

While beautiful to look at, the glacial pace of the story borders on tedious at times (making one wonder if it is worth sticking around to the end). Then, in its final half-hour, Roma delivers like no other film this year. So, how to judge it becomes the question?

Let’s start with the look of the film, the intimacy of the family’s dwelling, and the long sweeping shots of the city. The sole credited cinematographer, Cuarón makes sure his vision is captured on film. And without doubt, Roma if a visual feast. On top of this is Aparicio’s grounded performance as Cleo who acts as the heart of the film. Available on Netflix, the plodding pace may deter some viewers who can switch the channel, but Roma does provide gifts that are worth waiting for.

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