Movie Reviews

Mission: Impossible – Fallout

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  • Title: Mission: Impossible – Fallout
  • IMDb: link

Mission: Impossible - Fallout movie review

Very much a sequel to Mission: Impossible – Rogue Nation, Mission: Impossible – Fallout brings back both heroes and villains from the previous film. As we saw in Rogue Nation, the various other government agencies are still struggling to work with the IMF. This isn’t helped when three nuclear warheads slip through Ethan Hunt’s (Tom Cruise) hands in the opening action sequence and are about to be sold on the black market to a terrorist with delusions of grandeur.

Forced to work with CIA thug August Walker (Henry Cavill), Hunt and his team (Ving Rhames and Simon Pegg both return) accept their assignment, but, as usually happens, things don’t go according to plan. Rebecca Ferguson and Sean Harris both return to reprise their roles from the last film as a potential love interest for Ethan and a villain harboring and even bigger boner for the spy who put him behind bars.

Although Jeremy Renner isn’t present here, the latest in the franchise includes callbacks to several of the earlier films and in some ways feels like a final chapter to the series (while still leaving the door open if Cruise and company wish to return).

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Teen Titans Go! To the Movies

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  • Title: Teen Titans Go! To the Movies
  • wiki: link

Teen Titans Go! To the Movies movie reviewSince the show’s introduction back in 2013, Teen Titans Go! has met with mixed reaction from fans. Some love the madcap feel of the short adventures while other felt DC strayed too far from the earlier (more serious take) found on the first Teen Titans animated series. Even if the show’s writing has been somewhat inconsistent, I’ve enjoyed my share of Teen Titans Go! and my only real question was whether or not its slapstick style could work stretched out over a feature film? You bet your ass it can.

Full of DC fan references and inside jokes (such as Nicolas Cage playing Superman), the film is a nerdtastic delight.

The movie throws us into a world (not unlike our own) full of super-hero movies. Robin (Scott Menville), the selfish leader of the Teen Titans, desperately wants to join the ranks of Batman, Aquaman, Superman, and the rest of DC’s top heroes who have all earned their own movies. Alas, no one takes the sidekick or his misfit team seriously. The solution? Find an arch-nemesis and convince a studio exec (Kristen Bell) that the Titans are worthy of a movie.

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Mamma Mia! Here We Go Again

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  • Title: Mamma Mia! Here We Go Again
  • IMDb: link

Mamma Mia! Here We Go Again movie reviewBoth sequel and prequel to 2008’s Mamma Mia!, Mamma Mia! Here We Go Again returns most of the core cast for another romcom plot set to the music of ABBA. Since we saw her last, Sophie (Amanda Seyfried) has managed to breathe new life in the dream of her recently departed mother (Meryl Streep) and is working towards the grand opening of the hotel. The return of her mother’s best friends (Christine Baranski and Julie Walters) helps lessen the pressure of her estranged relationship to Sky (Dominic Cooper) and the absences of two of her three fathers on the eve of the big day.

There are some improvements here as co-writer and director Ol Parker limits the singing roles for some actors who struggled in the first film while allowing other actors to carry the bulk of the musical numbers. The flashback plot to Donna’s original trip to Greece allows the casting of younger versions of all the characters in actors who are a bit more comfortable belting out the songs when called upon. Lily James is the stand-out as the younger Donna as the other actors look to have been primarily cast first for their physical likeness, second for their singing ability, and (unfortuantely) last for their ability to act.

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Ant-Man and the Wasp

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  • Title: Ant-Man and the Wasp
  • IMDb: link

Ant-Man and the Wasp movie review

2015’s Ant-Man was a fun and lighthearted entry into the Marvel Cinematic Universe that, while mostly enjoyable, would certainly rank among the weaker (and more forgettable) entries to the MCU. Ant-Man and the Wasp brings back former thief turned super-hero Scott Lang (Paul Rudd), the original Ant-Man Dr. Hank Pym (Michael Douglas) and his daughter Hope (Evangeline Lilly), and most of the supporting cast and characters from the first film including Scott’s former prison buddies and family. As in Ant-Man, several people are after Pym and his work. And given Scott’s improbable return from the Quantum Realm at the end of the first movie, Hank Pym plans of his own.

Although the plot of the film is a bit too convoluted for its own good as it continues to juggle multiple plots and characters (many of whom get far more screentime than necessary), I found the sequel more enjoyable than the original playing off established relationships and concepts introduced in Ant-Man. Following Avengers: Infinity War, smaller stakes (both literally and figuratively) also prove to be a nice change of pace from the universe threatening death dealer.

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Sicario: Day of the Soldado

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  • Title: Sicario: Day of the Soldado
  • IMDb: link

Sicario: Day of the Soldado movie reviewScreenwriter Taylor Sheridan reunites Benicio del Toro and Josh Brolin for the sequel to 2015’s Sicario. When the United States realize that terrorists are being smuggled across the Mexican border along with illegal immigrants, Matt Graver’s (Brolin) team is brought in to deal with the problem. Wanting to start a war between the cartels, Graver decides to bring back Alejandro Gillick (del Toro) who a personal grudge against one of the cartel leaders.

Stefano Sollima steps in for Denis Villeneuve (who directed the first Sicario) this time around. Since Sicario is easily my favorite of Villeneuve’s films, I was sorry to not see him return. The biggest difference between Sicario: Day of the Soldado and the original is the lack of female lead. Filling that spot is the side story featuring Elijah Rodriguez a young wannabe on the Mexican border (which is never as compelling as it should be). The sequel definitely misses Blunt as the only female characters of import are Catherine Keener as Graver’s boss and Isabela Moner as a cartel princess whose abduction becomes part of Graver’s larger plan. While both are important to the plot, it’s really del Toro’s movie this time around.

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