Movie Reviews

Beauty and the Creature from the Black Lagoon

  • Title: The Shape of Water
  • IMDb: link

The Shape of Water movie reviewGuillermo del Toro puts his own spin on the Beauty and the Beast tale in The Shape of Water which stars Sally Hawkins as a mute janitor at the the Occam Aerospace Research Center who discovers just what the scientists and military men are studying. Doug Jones, who worked with del Toro before in the Hellboy films and Pan’s Labyrinth, is transformed by practical and CGI effects into a creature who is part Abe Sapien and part the Creature from the Black Lagoon. Never given a name, nor able to speak (just like the woman who falls for him), the design of “the asset” is terrific.

The story is pretty standard. Girl meets boy from the wrong side of the tracks, they fall in love, and all hell breaks loose. The talent both in front and behind the camera elevates the words on the printed page into a magical fairy tale which is joyful to watch. The setting of the 1960s, Elisa’s (Hawkins) inability to speak, Richard Jenkins as her confidant, and Michael Shannon as the brutal colonel in control of the experiment, all add interesting pieces to the puzzle making The Shape of Water more than the sum of its parts. Supporting performances from Octavia Spencer, Michael Stuhlbarg, and Lauren Lee Smith all bring something to add and help flesh out the world.

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Wonder Wheel

  • Title: Wonder Wheel
  • IMDb: link

Wonder Wheel movie reviewFalling neither at the top nor bottom of the Woody Allen scale, the writer/director’s latest fits somewhere in the middle. Set in Coney Island during the 1950s, Wonder Wheel tells the story of a distraught waitress (Kate Winslet) cheating on her husband (Jim Belushi) with a lifeguard (Justin Timberlake) with delusions of becoming a great writer. Matters are complicated by the arrival of her husband’s daughter (Juno Temple) from a previous marriage, on-the-run from her gangster husband, who also catches the lifeguard’s eye, and our waitress’ arson-loving preteen son (Jack Gore) setting fire to everything he can find.

Winslet is the ensemble stand-out of the piece as a middle-aged woman determined that her affair lead her out of the mess her life has become. Other than the fact that he’s the outsider to the family, Timberlake turns out to be an odd choice for narrator. Winslet, Temple, or even Belushi (who is almost too convincing as the prototypical bad drunk with a temper) would seem to offer a better insight into the story. In the end, Winslet’s perfomance and the setting of a 50s Coney Island help make up for some of the film’s shortcomings (including an opening act better suited to a stage performance).

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Ferdinand

  • Title: Ferdinand
  • IMDb: link

Ferdinand movie review2017 wasn’t the best year for animation. Although there are several solid films, including two from Disney/Pixar, there was no clear standout. Based on the 1938 children’s story, Ferdinand is another solid animated feature which is surprisingly moving coming from Blue Sky Studios (best known for the more comedic Ice Age franchise) as the combination of six writers work to build out the simple story of a bull who would rather smell the flowers than fight, into a feature film. The result is a funny, but also unexpectedly clever (including the best possible bull in a China shop joke) and heartfelt, film.

Opening with early scenes to showcase how unusual Ferdinand is from other young bulls, the film fast-forwards through a montage to a grown-up Ferdinand (John Cena) forced to leave his peaceful life in the country, and the little girl who loves him (Lily Day), and rejoin the life he previously escaped. Wrestler John Cena may seem an unusual choice for the lead, but the larger-than-life character (who likely knows something about being a bit too large for the world around him) proves to add just the right touch to the character of a ginormous bull with a peaceful spirit.

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Star Wars: The Last Jedi

  • Title: Star Wars: The Last Jedi
  • IMDb: link

Star Wars: The Last Jedi movie reviewI love Star Wars. I’m a fan. Always have been. My love of film, science fiction, and movie merchandise can be traced back to the film that sprung from the mind of George Lucas. I mention this because, as a fan, it’s not always easy to look critically at what you love. However, I will do my best (while avoiding spoilers).

Star Wars: The Force Awakens gave me a taste during its final moments, but Star Wars: The Last Jedi finally delivers on the Luke Skywalker (Mark Hamill) film I have been waiting impatiently for since 1983. Adding to my interest in the latest installment of the Star Wars franchise was the fact that a grizzled Luke would get paired with my favorite of the new characters introduced in the previous film. Those expecting Luke to jump immediately into action on behalf of Rey‘s (Daisy Ridley) plea might be initially disappointed, but (despite small complaints I have with the film) I think you’ll agree that writer/director Rian Johnson succeeds in paying homage to what has come before while shading a bit more outside of the lines than J.J. Abrams was willing, or able, to do.

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Phantom Thread

  • Title: Phantom Thread
  • IMDb: link

Phantom Thread movie reviewIn a career that spans more than 35 years Daniel Day-Lewis has raised the bar for actors. While his role as dress designer Reynolds Woodcock may not be his most notable, Daniel Day-Lewis does not disappoint in what he has stated will be his final on-screen performance. Teaming up once again with writer/director Paul Thomas Anderson, the pair worked together previously on There Will Be Blood, the actor is terrific in the offbeat drama which I’ll admit I would like more if it didn’t save its best moments (at least plot-wise) for the finale.

Both Vicky Krieps, as the latest in a string of women Woodcock has brought into his life, and Lesley Manville, as Woodcock’s overbearing and controlling sister, raise their games here. In terms of acting, everything about Phantom Thread is first-rate. Where Anderson gets into some trouble is at the script level where the story meanders a bit with the ups-and-downs of Alma’s (Krieps) role within the household and Woodcock’s hot-and-cold reactions towards her. The slow pace is punctuated by some terrific moments (such as the ultra-sensitive dress maker’s overreaction to his Alma’s table manners), but the elaborate period drama certainly takes its time to get to the point.

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