Theme Week

Between Sunrise and Sunset

Let me tell you a strange but wonderful story.  Once upon a time there was a filmmaker who made a small independent art house movie that was moderately successful.  No big stars, no special effects, no plot twists here kids.  It was just a two character piece about a man and woman finding each other in Vienna and spending one day and one night together sight seeing, discussing their lives, loves, beliefs, desires, both large and small, and falling in love. 

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Win a Date with Tad Hamilton

  • Title: Win a Date with Tad Hamilton
  • IMDB: link

“Sometimes Goliath kicks the shit out of David.  It’s just nobody bothers to tell that story.”

win-a-date-with-tad-hamilton-posterYeah, it’s a simple love story.  Boy loves girl.  Girl falls for more accomplished boy.  A more modern take on the Bye, Bye Birdie story is so delightful that I actually prefer it to the original play and its other film versions.  In the hands of director Robert Luketic and screenwriter Victor Levin such a predictable story is given class and charm up the whazoo.  And so what we get is a well told and engaging story about great love that changes your life.

Sweet down home Rosalee Futch (Kate Bosworth) works at the Piggy Wiggly with her “Pete friend” (Topher Grace) and her “Cathy friend” (Ginnifer Goodwin).  The three musketeers work together and hang out at the local pub where the bartender (Kathryn Hahn) has made her feelings about Pete a little too clear.  Pete however has been harboring feelings for Rosalee for years and thinks he is finally ready to admit his love.  In a comedy this is where something usually goes amiss.

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Definitely, Maybe

  • Title: Definitely, Maybe
  • IMDB: link

“I’m going to tell you the story and I’m changing all the names, and I’m not telling you who your Mom is.”
“I like it; it’s like a love story mystery”

definitely-maybe-posterOkay, here’s where I usually blast contrived romantic comedies like this one.  And although Definitely, Maybe does fall into that category the level of talent involved and the sheer joy of the tale make it a far more enjoyable experience than it has any right to be.

On the eve of his divorce Will Hayes (Ryan Reynolds) tries to explain love and relationships to his precocious daughter Maya (Abigail Breslin).

Will recounts a bedtime story of his relationships with three women (Elizabeth Banks, Isla Fisher, Rachel Weisz), one of which is Maya’s mother.  Changing names and small facts Maya analyzes her father’s romantic history and tries to guess the identity of her mother, and try to figure out just what’s wrong with her father.

With a premise like that I thought I might be pulling my hair out by the time the film moved into the second act, but although the story is a tad contrived (and at times just too cute for words) it’s balanced by a darn good cast and Reynolds’ ability to find chemistry with each of his leading ladies.

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“Lake” Love Story Satisfies

  • Title: The Lake House
  • IMDB: link

the-lake-house-posterI’m not sure if America needed to revisit the casting of Speed in the form of a romance-heavy romantic comedy, but nevertheless The Lake House is at your local cineplex.  And even though the commercials showcase a plot so ridiculous only Uwe Boll wouldn’t question it, the film is able to win over the female demographic with ease.  Even if they have a hard time admitting enjoying a chick flick, the guys just might find themselves rooting for a final scene shows Neo and Ms. Congeniality locking lips.

As the film begins, we meet Sandra Bullock moving out into the city, lonely with no one to talk to except her dog.  She might be cute if she weren’t dull, depressing, dead inside . . . but enough with the alliteration.

We also see Keanu Reeves moving into the same lake house Bullock just left, carrying baggage like clothes, furniture and a complicated relationship with his father (Christopher Plummer) that will eventually flesh itself out.

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