Marvel’s Agents of S.H.I.E.L.D. – Closure

  • Title: Marvel’s Agents of S.H.I.E.L.D. – Closure
  • wiki: link

Marvel’s Agents of S.H.I.E.L.D. - Closure

Ward (Brett Dalton) killing Rosalind Price (Constance Zimmer) and Gideon Malick‘s (Powers Boothe) plans to re-open a portal shift the focus of Agents of S.H.I.E.L.D. back to Hydra as the show heads into next week’s fall finale. Angering Coulson (Clark Gregg) and tricking him into putting Fitz (Iain De Caestecker) and Simmons (Elizabeth Henstridge) into harms way allows the villain to capture his former teammates and force their cooperation in Malick’s plans. Although Simmons is under the impression Hydra wants to bring back the unseen force from the planet on which she was stranded, and knowing how the show’s writers think after two and a half seasons, I’m betting Will (Dillon Casey) turns out to actually be Hydra’s secret weapon just waiting to be transported home.

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Jessica Jones – AKA It’s Called Whiskey

  • Title: Marvel’s Jessica Jones – AKA It’s Called Whiskey
  • wiki: link

Jessica Jones - AKA It's Called Whiskey

As Jessica (Krysten Ritter) attempts to get the drugs she needs to stop Kilgrave (David Tennant) and orders Jeri Hogarth (Carrie-Anne Moss) to take defending Hope (Erin Moriarty) more seriously she reacts in horror to Hogarth and Trish‘s (Rachael Taylor) plan to get their client to go public on air with her story. As expected, Kilgrave responds, first over the air and then by sending a police officer to put a bullet in Trish’s brain. In an episode that showcases the villain’s actual and psychological power over his victims it also introduces some limitations to his powers. He’s unable to compel anyone to do his bidding over the airwaves and, as Jessica is able to take advantage of on two separate opportunities here, the literal interpretations of his commands can be used to break his temporary control of his victims.

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The Assassin

  • Title: Nie yin niangn
  • IMDb: link

The AssassinIt begins with murder and a failed assassination attempt in stark black-and white. Set in China during the waning days of the Tang Dynasty, the film’s title refers to Nie Yinniang (Qi Shu), a young woman trained since the age of 10 to be an assassin. 13 years later when Nie Yinniang shows mercy rather than kill a corrupt government official in front of his young son her master punishes the young woman by returning her home to the northern province of Weibo with orders to kill the cousin (Chen Chang) to whom she was betrothed to as a child before her life took a very different path.

A far cry from the sleek, fast-paced, wire-effects-heavy, and often bloody kinds of films that the genre has been known for in recent years, The Assassin is a slow-paced character study about a woman who struggles with the morality of a calling she’s so obviously skilled at performing. Despite the lush setting of misty mountains, director Hsiao-Hsien Hou‘s film isn’t as polished as expected with several abrupt transitions and a mix of inventive but also bizarre camera placement throughout the film’s 105-minute running time.

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