Person of Interest – Control-Alt-Delete

  • Title: Person of Interest – Control-Alt-Delete
  • wiki: link

Person of Interest - Control-Alt-Delete

After one of the show’s must gut-wrenching episodes that saw the apparent death of Shaw (Sarah Shahi), Person of Interest continues to deliver the unexpected with “Control-Alt-Delete.” Rather than offer us an episode from the grieving Reese (Jim Caviezel), Finch (Michael Emerson), Root (Amy Acker), and Fusco (Kevin Chapman) dealing with the loss, the latest episode is entirely from Control‘s (Camryn Manheim) point-of-view giving us a look into the the Government’s use of, and frustration with, the intelligence provided by Samaritan. We also get the return of the computer system’s young avatar and glimpses of Samaritan’s plans to gain more power.

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American Sniper

  • Title: American Sniper
  • IMDb: link

American SniperAdapted from the autobiographical story of Navy SEAL Chris Kyle, Clint Eastwood offers an old fashioned character study with strong patriotic leanings and not as much introspection as one might ultimately like. Bradley Cooper is terrific in the starring role of a soldier obsessed with serving his country and protecting his brothers-in-arms overseas while struggling with even the idea of life back home with his wife (Sienna Miller). The result is an engaging, if incomplete, story as Eastwood careful cuts away anything that doesn’t quite fit Kyle’s heroic narrative including an ending that leaves much unsaid.

Following the soldier’s own interests, the scenes that take place during Kyle’s four tours of Iraq which made him the most lethal sniper in U.S. Military history work better than the limited amount of time we witness him back home. While acknowledging the character’s hero complex, Eastwood mostly shies away from how the length of Kyle’s service effected him emotionally choosing instead to celebrate (one might even argue glorify) the man’s war record. Eastwood tells the story he wants well, even if the result begins to feel a bit too much like pro-military propaganda.

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The November Man

  • Title: The November Man
  • IMDb: link

The November ManFive years after retiring, ex-CIA specialist Peter Devereaux (Pierce Brosnan) is reactivated by his old boss (Bill Smitrovich) and put on a plane to Russia to retrieve the love of his life (Mediha Musliovic) who has been working undercover in the Russian Government for more than a decade. Things go terribly wrong pitting Devereaux against his old agency and his protege (Luke Bracey) in a conspiracy that reaches into both the U.S. and Russian Governments involving the Presidential hopes of a genocidal Russian general (Lazar Ristovski).

Based on Bill Granger‘s novel, The November Man isn’t a bad B-movie action flick but it is a tad too convoluted for its own good. The reasoning behind putting Devereaux in the field is sketchy at best, particularly after the villain is revealed. Brosnan can play the aging spy in his sleep and Olga Kurylenko makes the most out of the over-complicated Alice who holds the key to the entire sordid affair.

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